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Hollywood Casino St. Louis completes hotel renovation

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Turner Classic Movies (U.S.) Schedule For The Month Of September, 2020 (All Airtimes E.S.T)

Tuesday, September 01, 2020
(1:15 AM) (drama) L'Eclisse (1962/126 m/Michelangelo Antonioni)
(3:30 AM) (western) Lost Command (1966/129 m/Mark Robson)
(6:00 AM) (suspense) The 39 Steps (1935/87 m/Alfred Hitchcock)
(7:45 AM) (suspense) The Lady Vanishes (1938/96 m/Alfred Hitchcock)
(9:30 AM) (suspense) Foreign Correspondent (1940/121 m/Alfred Hitchcock)
(11:45 AM) (suspence) Suspicion (1941/99 m/Alfred Hitchcock)
(1:27 PM) (short) Men In Fright (1938/11 m/George Sidney)
(1:45 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(3:45 PM) (suspense) Dial ‘M’ For Murder (1954/105 m/Alfred Hitchcock)
(5:32 PM) (short) Third Dimensional Murder (1941/7 m/George Sidney)
(5:45 PM) (suspense) The Wrong Man (1956/105 m/Alfred Hitchcock)
(7:34 PM) (short) Wrong Way Butch (1950/10 m/David Barclay)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
(10:45 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 1) (2019/60 m/Mark Cousins)
Wednesday, September 02, 2020
(12:00 AM) (premiere) Olivia (1951/96 m/
(1:45 AM) (premiere) Sleepwalking Land (2008/96 m/Teresa Prata)
(3:30 AM) (premiere) Seven Beauties (1975/117 m/Lina Wertmuller)
(5:30 AM) (premiere) Je tu il Elle (1975/86 m/Chantal Akerman)
(6:57 AM) (short) Over The Counter (1932/18 m/Jack Cummings)
(7:15 AM) (premiere) Madchen In Uniform (1931/89 m/Leontine Sagan)
(9:00 AM) (comedy) La Cienaga (2001/101 m/Lucrecia Martel)
(11:00 AM) (musical) Yolanda and the Thief (1945/108 m/Vincente Minnelli)
(1:00 PM) (musical) Call of the Flesh (1930/100 m/Charles Brabin)
(2:45 PM) (musical) Fiesta (1947/102 m/Richard Thorpe)
(4:30 PM) (musical) Pan-Americana (1945/84 m/John H. Auer)
(6:00 PM) (romance) Latin Lovers (1953/104 m/Mervyn Le Roy)
(8:00 PM) (musical) Sweet Charity (1969/148 m/Bob Fosse)
(10:45) (drama) All That Jazz (1979)
Thursday, September 03, 2020
(1:00 AM) (musical) Cabaret (1972/124 m/Bob Fosse)
(3:15 AM) (premiere) Star ‘80 (1983/103 m/Bob Fosse)
(5:15 AM) (documentary) A Well Spent Life (1971/44 m/Les Blank)
(6:00 AM) (suspense) The Window (1949/73 m/Ted Tetzlaff)
(7:15 AM) (comedy) Having Wonderful Time (1938/70 m/Alfred Santell)
(9:30 AM) (drama) Picnic At Hanging Rock (1975/107 m/Peter Weir)
(10:30 AM) (adventure) Corvette Summer (1978/105 m/Matthew Robbins)
(12:15 PM) (romance) A Stolen Life (1946/107 m/Curtis Bernhardt)
(2:15 PM) (drama) The Southerner (1945/93 m/Jean Renoir)
(4:00 PM) (comedy) The Seven Year Itch (1955/104 m/Billy Wilder)
(5:49 PM) (short) Mackinac Island (1944/9 m/James A. FitzPatrick)
(6:00 PM) (romance) Summer of ‘42 (1971/104 m/Robert Mulligan)
(9:00 PM) (drama) The Story of Louis Pasteur (1936/86 m/William Dieterle)
(9:45 PM) (drama) The Story of Dr. Jenner (1939/10 m/Henry K. Dunn)
(10:00 PM) (drama) Sister Kenny (1946/116 m/Dudley Nichols)
Friday, September 04, 2020
(12:01 AM) (short) See Your Doctor (1939/8 m/Basil Wrangell)
(12:15 AM) (drama) Dr. Ehrlich's Magic Bullet (1940/103 m/William Dieterle)
(2:15 AM) (drama) Arrowsmith (1931/99 m/John Ford)
(4:15 AM) (adventure) Yellow Jack (1938/83 m/George B. Seitz)
(5:47 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(6:00 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(9:15 AM) (documentary) Hollywood: The Dream Factory (1972/51 m/Mark Woods)
(9:30 AM) (comedy) Some Like It Hot (1959/122 m/Billy Wilder)
(11:45 AM) (comedy) The Apartment (1960/125 m/Billy Wilder)
(2:00 PM) (comedy) The Prisoner of Second Avenue (1974/98 m/Melvin Frank)
(4:00 PM) (comedy) The Sunshine Boys (1975/111 m/Herbert Ross)
(6:00 PM) (comedy) The Goodbye Girl (1977/111 m/Herbert Ross)
(8:00 PM) (premiere) The T.A.M.I. Show (1964/113 m/Steve Binder)
(10:15 PM) (documentary) Let The Good Times Roll (1973/99 m/Sidney Levin)
Saturday, September 05, 2020
(12:00 AM) (documentary) Elvis: That’s The Way It Is (1970/95 m/Denis Sanders)
(1:45 AM) (documentary) Divine Madness (1980/94 m/Michael Ritchie)
(3:30 AM) (documentary) ABBA: The Movie (1977/97 m/Lasse Hallstrom)
(5:30 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (crime) The Biggest Bundle Of Them All (1968/108 m/Ken Annakin)
(9:00 AM) (premiere) MGM CARTOONS: The Chump Champ (1950/7 m/Fred [Tex] Avery)
(9:09 AM) (documentary) Game Warden (1955/8 m/Harry W. Smith)
(9:18 AM) (short) Seattle: Gateway To The Northwest (1940/9 m/?)
(9:28 AM) (drama) Isle Of Fury (1936/60 m/Frank McDonald)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Fatal Mistake (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Fleets of Stren'th (1942/7 m/Dave Fleischer)
(10:08 AM) (adventure) Elephant Stampede (1951/71 m/Ford Beebe)
(11:30 AM) (short) Frontier Days (1945/17 m/Jack Scholl)
(12:00 PM) (suspense) The Prize (1963/135 m/Mark Robson)
(2:30 PM) (western) Stagecoach (1939/96 m/John Ford)
(4:15 PM) (drama) East Of Eden (1955/118 m/Elia Kazan)
(6:30 PM) (comedy) Bananas (1971/82 m/Woody Allen)
(8:00 PM) (documentary) The Kids Are Alright (1979/109 m/Jeff Stein)
(10:00 PM) (premiere) Shine A Light (2008/122 m/Martin Scorsese)
Sunday, September 06, 2020
(12:15 AM) (documentary) The Decline of Western Civilization (1981/100 m/Penelope Spheeris)
(2:15 AM) (documentary) The Decline of Western Civilization, Part II: The Metal Years (1988/93 m/Penelope Spheeris)
(4:00 AM) (documentary) This Is Elvis (1981/102 m/Malcolm Leo)
(6:00 AM) (musical) On An Island With You (1948/108 m/Richard Thorpe)
(9:00 AM) (musical) Easy To Love (1953/96 m/Charles Walters)
(10:00 AM) (crime) Night Editor (1946/67 m/Henry Levin)
(12:00 PM) (romance) The Enchanted Cottage (1945/92 m/John Cromwell)
(1:45 PM) (drama) The V.I.P.s (1963/119 m/Anthony Asquith)
(4:00 PM) (romance) Crossing Delancey (1988/97 m/Joan Micklin Silver)
(6:00 PM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(8:00 PM) (documentary) The Song Remains The Same (1976/138 m/Peter Clifton)
(10:30 PM) (documentary) Jimi Hendrix (1973/102 m/Joe Boyd)
Monday, September 07, 2020
(12:15 AM) (premiere) Jimi Plays Monterey (1986/49 m/D.A. Pennebaker)
(1:15 AM) (premiere) Shake!: Otis At Monterey (1987/19 m/D.A. Pennebaker)
(1:45 AM) (premiere) Fade To Black (2004/110 m/Patrick Paulson)
(5:30 AM) (premiere) Say Amen, Somebody: The Good News Musical (1982/101 m/George T. Nierenberg)
(7:15 AM) (premiere) A Poem Is A Naked Person (1977/90 m/Les Blank)
(9:00 AM) (premiere) Louie Bluie (1985/61 m/Terry Zwigoff)
(12:15 PM) (premiere) Big Time (1988/87 m/Chris Blum)
(2:00 PM) (documentary) Don’t Look Back (1967/96 m/D.A. Pennebaker)
(4:00 PM) (premiere) Neil Young: Heart Of Gold (2006/104 m/Jonathan Demme)
(6:00 PM) (premiere) Festival (1967/98 m/Murray Lerner)
(8:00 PM) (documentary) Monterey Pop (1969/79/D.A. Pennebaker)
(9:30 PM) (documentary) Woodstock: The Director’s Cut (1970/224 m/Michael Wadleigh)
Tuesday, September 08, 2020
(1:30 AM) (musical) A Hard Day’s Night (1964/87 m/Richard Lester)
(3:15 AM) (documentary) Go Go Mania (1965/70 m/Frederic Goode)
(4:45 AM) (documentary) Robert Osborne’s 20th Anniversary Tribute (2015/47 m/?)
(6:00 AM) (crime) Armored Car Robbery (1950/68 m/Richard Fleischer)
(7:30 AM) (crime) The Asphalt Jungle (1950/112 m/John Huston)
(9:30 AM) (crime) High Sierra (1941/100 m/Raoul Walsh)
(11:15 AM) (crime) Rififi (1954/118 m/Jules Dassin)
(1:30 PM) (crime) The League Of Gentlemen (1960/114 m/Basil Dearden)
(3:45 PM) (comedy) Ocean’s 11 (1960/127 m/Lewis Milestone)
(6:00 PM) (suspense) Jack of Diamonds (1967/108 m/Don Taylor)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 2) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) El Camino (1963/95 m/Ana Mariscal)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode #2) (2019/61 m/Mark Cousins)
Wednesday, September 09, 2020
(12:30 AM) (premiere) Lovely & Amazing (2001/91 m/Nicole Holofcener)
(2:15 AM) (premiere) Wanda (1970/103 m/Barbara Loden)
(4:15 AM) (premiere) The Watermelon Woman (1995/85 m/Cheryl Dunye)
(6:00 AM) (premiere) In The Empty City (2004/90 m/Maria Jopo Ganga)
(7:45 AM) (silent) The Adventures of Prince Achmed (1926/66 m/Lotte Reiniger)
(9:15 AM) (premiere) Entre Nous (1983/111 m/Diane Kurys)
(11:30 AM) (drama) Jeopardy (1953/69 m/John Sturges)
(1:00 PM) (suspense) Cry Terror! (1958/96 m/Andrew L. Stone)
(3:15 PM) (drama) The Devil Makes Three (1952/90 m/Andrew Marton)
(5:00 PM) (suspense) Dial 1119 (1950/75 m/Gerald Mayer)
(6:30 PM) (suspense) Beyond A Reasonable Doubt (1956/80 m/Fritz Lang)
(8:00 PM) (comedy) Mr. Belvedere Goes To College (1949/83 m/Elliott Nugent)
(11:30 PM) (premiere) Blondie Goes To College (1942/77 m/Frank R. Strayer)
Thursday, September 10, 2020
(1:00 AM) (musical) She's Working Her Way Through College (1952/101 m/Bruce Humberstone)
(3:00 AM) Start Cheering (1938/78 m/Albert S. Rogell)
(4:30 AM) Strictly Dynamite (1934/71 m/Elliott Nugent)
(6:00 AM) (drama) Mademoiselle Fifi (1944/69 m/Robert Wise)
(7:15 AM) (suspense) The Curse of the Cat People (1944/70 m/Gunther V. Fritsch and Robert Wise)
(8:30 AM) (horror) The Body Snatcher (1945/78 m/Robert Wise)
(10:00 AM) (suspense) Mystery In Mexico (1948/66 m/Robert Wise)
(11:15 AM) (western) Blood On the Moon (1948/?/Robert Wise)
(1:00 PM) (crime) Born To Kill (1947/92 m/Robert Wise)
(2:45 PM) (drama) The Set-Up (1949/72 m/Robert Wise)
(4:15 PM) (romance) So Big (1953/102 m/Robert Wise)
(6:00 PM) (drama) Somebody Up There Likes Me (1956/113 m/Robert Wise)
(9:00 PM) (war) So Proudly We Hail (1943/126 m/Mark Sandrich)
(10:15 PM) (comedy) MAS*H (1970/116 m/Robert Altman)
Friday, September 11, 2020
(12:30 AM) (war) The Story of Dr. Wassell (1944/136 m/Cecil B. DeMille)
(3:00 AM) (war) Cry ‘Havoc’ (1944/97 m/Richard Thorpe)
(4:45 AM) (war) Battle Circus (1953/90 m/Richard Brooks)
(6:30 AM) (short) Angel Of Mercy (1939/10 m/Edward L. Cahn)
(6:45 AM) (drama) The White Angel (1936/92 m/William Dieterle)
(9:30 AM) (comedy) Bud Abbott and Lou Costello In Hollywood (1945/83 m/S. Sylvan Simon)
(10:00 AM) (comedy) Merton of the Movies (1947/82 m/Robert Alton)
(11:30 AM) (musical) Show Girl in Hollywood (1930/78 m/Mervyn Le Roy)
(1:00 PM) (comedy) Goldie Gets Along (1933/68 m/Malcolm St. Clair)
(2:15 PM) (musical) Talent Scout (1937/62 m/William Clemens)
(3:30 PM) (comedy) Pick A Star (1937/70 m/Edward Sedgwick)
(4:45 PM) (comedy) Boy Meets Girl (1938/86 m/Lloyd Bacon)
(6:15 PM) (comedy) Movie Crazy (1932/96 m/Clyde Bruckman)
(8:00 PM) (adventure) She (1965/106 m/Robert Day)
(10:00 PM) (adventure) Clash of the Titans (1981/118 m/Desmond Davis)
Saturday, September 12, 2020
(12:15 AM) (comedy) Casino Royale (1967/131 m/John Huston, et. al.)
(2:45 AM) (horror) Plan 9 From Outer Space (1959/78 m/Edward D. Wood, Jr.)
(4:15 AM) (drama) Reefer Madness (1936/66 m/Louis Gasnier)
(5:15 AM) (premiere) Sex Madness (1938/52 m/?
(6:15 AM) (comedy) A Slight Case Of Murder (1938/85 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: Droopy’s Double Trouble (1951/7 m/Fred [Tex] Avery)
(9:09 AM) (short) High Dive Kids (1956/8 m/?)
(9:18 AM) (short) Sitka and Juneau: A Tale of Two Cities (1940/9 m/?)
(9:28 AM) (drama) Daredevil Drivers (1938/60 m/B. Reeves Eason)
(9:30 AM) (serial) TERRY AND THE PIRATES: Pyre of Death (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Pip-Eye, Pup-Eye, Poop-Eye An' Peep-Eye (1942/6 m/Dave Fleischer)
(10:08 AM) (adventure) The Lion Hunters (1951/80 m/Ford Beebe)
(11:30 AM) (short) The Rear Gunner (1943/20 m/Ray Enright)
(12:00 PM) (crime) Double Indemnity (1944/108 m/Billy Wilder)
(2:00 PM) (drama) Birdman of Alcatraz (1962/149 m/John Frankenheimer)
(4:45 PM) (war) The Sand Pebbles (1966/179 m/Robert Wise)
(8:00 PM) (suspense) Out of the Past (1947/97 m/Jacques Tourneur)
(10:00 PM) (drama) Experiment Perilous (1944/91 m/Jacques Tourneur)
Sunday, September 13, 2020
(12:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(1:30 AM) (drama) The China Syndrome (1979/122 m/James Bridges)
(3:45 AM) (horror) Coma (1978/113 m/Michael Crichton)
(6:00 AM) (comedy) See Here, Private Hargrove (1944/101 m/Wesley Ruggles)
(9:00 AM) (musical) Summer Stock (1950/109 m/Charles Walters)
(10:00 AM) (suspense) Danger Signal (1945/78 m/Robert Florey)
(11:30 AM) (comedy) The Whole Town’s Talking (1935/93 m/John Ford)
(1:15 PM) (drama) The Last Hurrah (1958/121 m/John Ford)
(3:30 PM) (drama) Sweet Bird Of Youth (1962/120 m/Richard Brooks)
(5:45 PM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(8:00 PM) (musical) Carmen Jones (1954/105 m/Otto Preminger)
(10:00 PM) (drama) Bright Road (1953/68 m/Gerald Mayer)
(11:30 PM) (musical) Sun Valley Serenade (1941/86 m/H. Bruce Humberstone)
Monday, September 14, 2020
(1:15 AM) (silent) The Ace of Hearts (1921/74 m/Wallace Worsley)
(6:00 AM) (musical) Playing Around (1930/66 m/Mervyn Le Roy)
(7:15 AM) (drama) Union Depot (1932/67 m/Alfred E. Green)
(9:30 AM) (drama) When In Rome (1952/78 m/Clarence Brown)
(10:00 AM) (drama) The Toast Of New York (1937/109 m/Rowland V. Lee)
(12:00 PM) (musical) Fashions of 1934 (1934/78 m/William Dieterle)
(1:30 PM) (suspense) Kind Lady (1935/76 m/George B. Seitz)
(3:00 PM) (romance) Sylvia Scarlett (1935/95 m/George Cukor)
(4:45 PM) (romance) Nobody Lives Forever (1946/100 m/Jean Negulesco)
(6:30 PM) (suspense) Cast a Dark Shadow (1955/83 m/Lewis Gilbert)
(8:00 PM) (short) Star Night At the Cocoanut Grove (1934/20 m/Louis Lewyn)
(8:00 PM) (short) A Night At The Movies (1937/10 m/Roy Rowland)
(8:00 PM) (comedy) The Pip From Pittsburg (1931/21 m/James Parrott)
(8:00 PM) (short) Movie Pests (1944/10 m/Will Jason)
(8:00 PM) (short) So You Want To Be A Detective (1948/11 m/Richard Bare)
(8:00 PM) (short) Los Angeles “Wonder City of the West” (1935/8 m/?)
(8:00 PM) (short) The Man In The Barn (1937/11 m/Jacques Tourneur)
(8:00 PM) (short) Smash Your Baggage (1932/9 m/Roy Mack)
(10:00 PM) (short) Asleep In The Feet (1933/19 m/Gus Meins)
(10:00 PM) (comedy) Top Flat (1935/19 m/William Terhune)
(10:00 PM) (short) The Bargain of the Century (1933/19 m/Charley Chase)
(11:15 PM) (short) You’re Telling Me (1932/19 m/Lloyd French)
(11:15 PM) (short) Call A Cop! (1931/20 m/George Stevens)
(11:15 PM) (short) Too Many Women (1932/19 m/Lloyd French)
(11:15 PM) (short) Air-Tight (1931/17 m/George Stevens)
Tuesday, September 15, 2020
(12:45 AM) (comedy) Buzzin’ Around (1933/20 m/Alfred J. Goulding)
(12:45 AM) (short) Whispering Whoopee (1930/21 m/James W. Horne)
(2:00 AM) (short) Women In Hiding (1940/22 m/Joseph Newman)
(2:00 AM) (short) Drunk Driving (1939/21 m/David Miller)
(2:00 AM) (short) The Public Pays (1936/18 m/Errol Taggart)
(3:15 AM) (short) His Silent Racket (1933/18 m/Charley Chase
(3:15 AM) (short) Girl Shock (1930/20 m/James W. Horne)
(3:15 AM) (short) Fallen Arches (1933/19 m/Gus Meins)
(3:15 AM) (short) The Chases of Pimple Street (1934/20 m/Charles Parrott)
(3:15 AM) (short) Four Parts (1934/18 m/Eddie Dunn)
(5:00 AM) (short) So You Want To Play The Piano (1956/10 m/Richard Bare)
(5:00 AM) (short) Apples To You! (1934/20 m/Leigh Jason)
(5:00 AM) (short) Zion: Canyon of Colour (1934/8 m/?)
(5:00 AM) (short) How To Sleep (1935/11 m/Nick Grindé)
(5:00 AM) (short) Double Talk (1937/11 m/Lloyd French)
(5:00 AM) (western) Pony Express Days (1940/20 m/B. Reeves Eason)
(5:00 AM) (comedy) Important Business (1944/11 m/Will Jason)
(5:00 AM) (short) The Black Network (1936/21 m/Roy Mack)
(5:00 AM) (short) And She Learned About Dames (1934/?/?)
(5:00 AM) (short) The Fabulous Fraud (1948/11 m/Edward L. Cahn)
(7:15 AM) (suspense) Man Hunt (1933/64 m/Irving Cummings)
(8:30 AM) (suspense) Nick Carter, Master Detective (1939/59 m/Jac ques Tourneur)
(9:45 AM) (suspense) Phantom Raiders (1940/70 m/Jacques Tourneur)
(11:00 AM) (suspense) Sky Murder (1940/72 m/George B. Seitz)
(12:15 PM) (suspense) Star Of Midnight (1935/90 m/Stephen Roberts)
(2:00 PM) (suspense) Miracles For Sale (1939/71 m/Tod Browning)
(3:15 PM) (suspense) Eyes In The Night (1942/80 m/Fred Zinnemann)
(4:45 PM) (suspense) The Hidden Eye (1945/69 m/Richard Whorf)
(6:00 PM) (suspense) Stage Fright (1950/110 m/Alfred Hitchcock)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
(9:15 PM) (documentary) Harlan County, U.S.A. (1976/105 m/Barbara Kopple)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 3) (2019/61 m/Mark Cousins)
Wednesday, September 16, 2020
(12:30 AM) (drama) The Virgin Suicides (1999/97 m/Sofia Coppola)
(2:30 AM) (premiere) Loving Couples (1964/113 m/Mai Zetterling)
(6:30 AM) (premiere) 10 to 11 (2009/110 m/Pelin Esmer)
(9:30 AM) (comedy) Losing Ground (1982/86 m/Kathleen Collins)
(10:00 AM) (premiere) Strangers In Good Company (1990/101 m/Cynthia Scott)
(12:00 PM) (short) Wagon Wheels West (1943/17 m/B. Reeves Eason)
(12:30 PM) (western) Westward The Women (1951/116 m/William A. Wellman)
(2:45 PM) (western) Strange Lady In Town (1955/112 m/Mervyn Le Roy)
(4:45 PM) (western) Rachel and the Stranger (1948/93 m/Norman Foster)
(6:15 PM) (western) Cat Ballou (1965/96 m/Elliot Silverstein)
(8:00 PM) (musical) A Connecticut Yankee in King Arthur's Court (1949/107 m/Tay Garnett)
(10:00 PM) (premiere) Peggy Sue Got Married (1986/103 m/Francis Ford Coppola)
Thursday, September 17, 2020
(12:00 AM) (premiere) Repeat Performance (1947/93 m/Alfred Werker)
(1:45 AM) (drama) Turn Back the Clock (1933/79 m/Edgar Selwyn)
(3:15 AM) (adventure) The Boy and the Pirates (1960/84 m/Bert I. Gordon)
(5:00 AM) (romance) Berkeley Square (1933/88 m/Frank Lloyd)
(6:45 AM) (short) MGM Is On The Move! (1964/36 m/?)
(7:45 AM) (crime) Angel Face (1953/91 m/Otto Preminger)
(9:30 AM) (western) River of No Return (1954/91 m/Otto Preminger)
(11:15 AM) (suspense) Bunny Lake Is Missing (1965/107 m/Otto Preminger)
(1:15 PM) (drama) The Man with the Golden Arm (1956/119 m/Otto Preminger)
(3:30 PM) (drama) Anatomy Of A Murder (1959/161 m/Otto Preminger)
(6:15 PM) (suspense) Laura (1944/88 m/Otto Preminger)
(8:00 PM) (comedy) People Will Talk (1951/110 m/Joseph L. Mankiewicz)
(10:00 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
Friday, September 18, 2020
(12:00 AM) (drama) A Man to Remember (1938/78 m/Garson Kanin)
(1:30 AM) (drama) The Citadel (1938/113 m/King Vidor)
(3:30 AM) (drama) Red Beard (1965/185 m/Akira Kurosawa)
(6:45 AM) (drama) The Doctor and the Girl (1949/98 m/Curtis Bernhardt)
(9:30 AM) (romance) Dark Victory (1939/104 m/Edmund Goulding)
(10:30 AM) (romance) The Painted Veil (1934/84 m/Richard Boleslawski)
(12:00 PM) (romance) Conquest (1937/112 m/Clarence Brown)
(2:00 PM) (romance) Camille (1937/109 m/George Cukor)
(4:00 PM) (comedy) Ninotchka (1939/110 m/Ernst Lubitsch)
(6:00 PM) Grand Hotel (1932/113 m/Edmund Goulding)
(8:00 PM) (drama) The Rain People (1969/101 m/Francis Ford Coppola)
(10:00 PM) (drama) Harry and Tonto (1974/115 m/Paul Mazursky)
Saturday, September 19, 2020
(12:00 AM) (comedy) Lost In America (1985/91 m/Albert Brooks)
(2:00 AM) (premiere) Wild At Heart (1990/124 m/David Lynch)
(4:15 AM) (premiere) Twin Peaks: Fire Walk With Me (1992/135 m/David Lynch)
(6:30 AM) (suspense) Blackmail (1939/81 m/H.C. Potter)
(9:00 AM) (premiere) MGM CARTOONS: The Flea Circus (1954/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Holland Sailing (1956/8 m/?)
(9:18 AM) (short) Alluring Alaska (1941/9 m/?)
(9:27 AM) (western) Guns Of Hate (1948/62 m/Lesley Selander)
(9:30 AM) (serial) TERRY AND THE PIRATES: The Secret of the Temple (1940/17 m/?)
(10:00 AM) (premiere) POPEYE: Olive Oyl and Water Don't Mix (1933/7 m/Dave Fleischer)
(10:08 AM) (adventure) African Treasure (1952/70 m/Ford Beebe)
(11:30 AM) (short) Roaring Guns (1944/19 m/Jean Negulesco)
(12:00 PM) (drama) Going Home (1971/97 m/Herbert B. Leonard)
(1:45 PM) (western) 3:10 To Yuma (1957/92 m/Delmer Daves)
(3:30 PM) (drama) Fail-Safe (1964/112 m/Sidney Lumet)
(5:30 PM) (war) Sergeant York (1941/134 m/Howard Hawks)
(8:00 PM) (musical) Guys and Dolls (1955/149 m/Joseph L. Mankiewicz)
(10:45 PM) (crime) Midnight Alibi (1934/58 m/Alan Crosland)
Sunday, September 20, 2020
(12:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(2:15 AM) (sci-fi) Rollerball (1975/125 m/Norman Jewison)
(4:30 AM) (sci-fi) Countdown (1968/101 m/Robert Altman)
(6:15 AM) (drama) All The King’s Men (1949/110 m/Robert Rossen)
(9:15 AM) (comedy) It Happened One Night (1934/105 m/Frank Capra)
(10:00 AM) (suspense) Gilda (1946/110 m/Charles Vidor)
(12:15 PM) (musical) Going My Way (1944/127 m/Leo McCarey)
(2:30 PM) (musical) Royal Wedding (1951/93 m/Stanley Donen)
(4:15 PM) (musical) Dangerous When Wet (1953/95 m/Charles Walters)
(6:00 PM) (comedy) Guess Who’s Coming To Dinner? (1967/108 m/Stanley Kramer)
(8:00 PM) (premiere) Tamango (1959/100 m/John Berry)
(10:00 PM) (adventure) Tarzan’s Peril (1951/79 m/Byron Haskin)
(11:30 PM) (drama) The Harlem Globetrotters (1951/77 m/Phil Brown)
Monday, September 21, 2020
(1:00 AM) (premiere) Where Now Are The Dreams Of Youth? (1932/86 m/Yasujiro Ozu)
(2:45 AM) (premiere) LONE WOLF AND CUB: Baby Cart in the Land of Demons (1973/90 m/Kenji Misumi)
(4:30 AM) (premiere) LONE WOLF AND CUB: White Heaven In Hell (1974/84 m/Yoshiyuki Kuroda)
(6:00 AM) (silent) Flesh and the Devil (1926/112 m/Clarence Brown)
(9:15 AM) (romance) To Have and Have Not (1944/100 m/Howard Hawks)
(10:15 AM) (crime) The Postman Always Rings Twice (1946/113 m/Tay Garnett)
(12:30 PM) (romance) Possessed (1931/76 m/Clarence Brown)
(2:00 PM) (comedy) Woman of the Year (1942/114 m/George Stevens)
(4:15 PM) (romance) Swing Shift (1984/100 m/Jonathan Demme)
(6:00 PM) (drama) Stromboli (1950/106 m/Roberto Rossellini)
(8:00 PM) (drama) A Cry In The Dark (1988/121 m/Fred Schepisi)
(10:15 PM) (romance) The French Lieutenant’s Woman (1981/124 m/Karel Reisz)
Tuesday, September 22, 2020
(2:30 AM) (drama) Kramer vs. Kramer (1979/105 m/Robert Benton)
(4:30 AM) (drama) Wednesday’s Child (1934/68 m/John Robertson)
(6:00 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:30 AM) (epic) Around The World In 80 Days (1956/182 m/Michael Anderson)
(9:45 AM) (musical) Bitter Sweet (1940/93 m/W.S. Van Dyke II)
(11:30 AM) (war) In Which We Serve (1942/115 m/Noel Coward)
(1:30 PM) (comedy) Private Lives (1931/84 m/Sidney Franklin)
(3:00 PM) (romance) We Were Dancing (1942/95 m/Robert Z. Leonard)
(4:45 PM) (comedy) Blithe Spirit (1945/96 m/David Lean)
(6:30 PM) (romance) Brief Encounter (1945/87 m/David Lean)
(9:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
(9:15 PM) (premiere) The Cave of the Yellow Dog (2005/89 m/Byambasuren Davaa)
(11:00 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 4) (2019/61 m/Mark Cousins)
Wednesday, September 23, 2020
(12:15 AM) (crime) Salaam Bombay! (1988/114 m/Mira Nair)
(2:30 AM) (drama) Daughters of the Dust (1991/112 m/Julie Dash)
(4:30 AM) (premiere) Krane’s Confectionary (1951/103 m/Astrid Henning-Jensen)
(6:30 AM) (premiere) Mikey and Nicky (1976/107 m/Elaine May)
(9:45 AM) (premiere) The Juniper Tree (1990/79 m/Nietzchka Keene)
(10:15 AM) (premiere) Women Who Loved Cinema (Part 1 & 2) (2002/114 m/Marianne Khoury)
(12:15 PM) (comedy) Life Begins For Andy Hardy (1941/101 m/George B. Seitz)
2:00 PM) (musical) Girl Crazy (1943/Norman Taurog)
(4:00 PM) (adventure) The Adventures of Huckleberry Finn (1939/91 m/Richard Thorpe)
(6:00 PM) (comedy) Ah, Wilderness! (1935/98 m/Clarence Brown)\
(8:00 PM) (drama) Boys Town (1938/93 m/Norman Taurog)
(9:45 PM) (drama) The Human Comedy (1943/117 m/Clarence Brown)
Thursday, September 24, 2020
(12:00 AM) (adventure) The Black Stallion (1979/117 m/Carroll Ballard)
(2:15 AM) (musical) Strike Up The Band (1940/120 m/Busby Berkeley)
(4:30 AM) (crime) Killer McCoy (1947/104 m/Roy Rowland)
(6:15 AM) (romance) Wuthering Heights (1939/104 m/William Wyler)
(9:15 AM) (romance) Kitty Foyle (1940/108 m/Sam Wood)
(10:15 AM) (drama) Cass Timberlane (1947/119 m/George Sidney)
(12:15 PM) (drama) The Bad and the Beautiful (1952/118 m/Vincente Minnelli)
(2:30 PM) (drama) Magnificent Obsession (1954/108 m/Douglas Sirk)
(4:30 PM) (drama) All That Heaven Allows (1955/89 m/Douglas Sirk)
(6:15 PM) Written On The Wind (1957/99 m/Douglas Sirk)
(8:00 PM) (drama) Young Dr. Kildare (1938/82 m/Harold S. Bucquet)
(9:30 PM) (drama) The Young Doctors (1961/103 m/Phil Karlson)
(11:30 PM) (comedy) The Hospital (1971/102 m/Arthur Hiller)
Friday, September 25, 2020
(1:30 AM) (drama) No Way Out (1950/107 m/Joseph L. Mankiewicz)
(3:30 AM) (drama) The Girl In White (1952/93 m/John Sturges)
(5:04 AM) (short) Her Honor, The Nurse (1956/8 m/Harry W. Smith)
(5:30 AM) (drama) Emergency Hospital (1956/63 m/Lee Sholem)
(6:45 AM) (horror) War of the Planets (1965/97 m/Antonio Margheriti)
(9:30 AM) (horror) The Cosmic Monster (1958/72 m/Gilbert Gunn)
(10:00 AM) (horror) Satellite In The Sky (1956/84 m/Paul Dickson)
(11:30 AM) (horror) The Green Slime (1969/90 m/Kinji Fukasaku)
(1:15 PM) (horror) Queen of Outer Space (1958/80 m/Edward Bernds)
(2:45 PM) (horror) The Wild, Wild Planet (1965/94 m/Anthony Dawson)
(4:30 PM) (horror) Village of the Damned (1960/77 m/Wolf Rilla)
(6:00 PM) (horror) Children of the Damned (1964/90 m/Anton M. Leader)
(9:00 PM) (western) The Outlaw Josey Wales (1976/136 m/Clint Eastwood)
(10:30 PM) (western) Alvarez Kelly (1966/110 m/Edward Dmytryk)
Saturday, September 26, 2020
(12:45 AM) (western) Springfield Rifle (1952/93 m/Andre de Toth)
(6:00 AM) (comedy) Larceny, Inc. (1942/95 m/Lloyd Bacon)
(9:00 AM) (premiere) MGM CARTOONS: The First Bad Man (1955/7 m/Fred [Tex] Avery)
(9:09 AM) (short) Salar, The Leaper (1957/8 m/Douglas Sinclair)
(9:18 AM) (documentary) Land of Alaska Nellie (1940/9 m/?)
(9:28 AM) (western) Gun Law (1938/60 m/David Howard)
(9:30 AM) (serial) WILD WEST DAYS: Death Rides The Range (1937/?/?)
(10:00 AM) (premiere) POPEYE: Many Tanks (1933/7 m/Dave Fleischer)
(10:09 AM) (adventure) Bomba and the Jungle Girls (1952/70 m/Ford Beebe)
(11:30 AM) (short) Heavenly Music (1943/22 m/Josef Berne)
(12:00 PM) (drama) The Long Voyage Home (1940/106 m/John Ford)
(2:00 PM) (epic) Quo Vadis (1951/174 m/Mervyn LeRoy)
(5:15 PM) (war) Where Eagles Dare (1968/155 m/Brian G. Hutton)
(8:00 PM) (romance) The Red Shoes (1948/134 m/Michael Powell)
(10:30 PM) (war) Night Ambush (1958/105 m/Michael Powell)
Sunday, September 27, 2020
(12:15 AM) (drama) They Won’t Believe Me (1947/90 m/Irving Pichel)
(2:00 AM) (horror) Creature from the Black Lagoon (1954/79 m/Jack Arnold)
(3:30 AM) (horror) UFO (1956/88 m/Winston Jones)
(5:15 AM) (documentary) MGM Parade Show #4 (1955/26 m/?)
(6:00 AM) (romance) Mata Hari (1931/89 m/George Fitzmaurice)
(7:45 AM) (comedy) The Talk Of The Town (1942/117 m/George Stevens)
(10:00 AM) (drama) They Won't Believe Me (1947/90 m/Irving Pichel)
(11:45 AM) (comedy) Don't Make Waves (1967/97 m/Alexander Mackendrick)
(1:30 PM) (drama) Honeysuckle Rose (1980/119 m/Jerry Schatzberg)
(3:45 PM) (romance) Now, Voyager (1942/117 m/Irving Rapper)
(6:00 PM) (drama) Executive Suite (1954/104 m/Robert Wise)
(10:15 PM) (drama) The Decks Ran Red (1958/84 m/Andrew L. Stone)
(12:00 AM) (comedy) Our Modern Maidens (1929/75 m/Jack Conway)
(2:00 AM) (musical) Black Orpheus (1959/108 m/Marcel Camus)
(4:00 AM) (romance) Orpheus (1950/96 m/Jean Cocteau)
Monday, September 28, 2020
(6:00 AM) (comedy) Not So Dumb (1930/76 m/King Vidor)
(7:30 AM) (drama) Street Scene (1931/79 m/King Vidor)
(9:00 AM) (adventure) Bird of Paradise (1932/82 m/King Vidor)
(10:30 AM) (drama) Our Daily Bread (1934/74 m/King Vidor)
(11:45 AM) (western) Northwest Passage (1940/127 m/King Vidor)
(2:00 PM) (drama) H.M. Pulham, Esq. (1941/120 m/King Vidor)
(4:15 PM) (drama) The Fountainhead (1949/113 m/King Vidor)
(6:15 PM) (crime) Lightning Strikes Twice (1951/90 m/King Vidor)
(9:00 PM) (comedy) You Can't Take It With You (1938/126 m/Frank Capra)
(10:30 PM) (drama) Ship of Fools (1965/149 m/Stanley Kramer)
(1:15 AM) (premiere) Titicut Follies (1967/84 m/Frederick Wiseman)
(3:00 AM) (drama) The Sign of the Ram (1948/84 m/John Sturges)
(5:00 AM) (documentary) Private Screenings: Liza Minnelli (2010/45 m/Sean Cameron)
Tuesday, September 29, 2020
(6:00 AM) (drama) Blossoms in the Dust (1941/99 m/Mervyn LeRoy)
(9:00 AM) (romance) Mrs. Parkington (1944/124 m/Tay Garnett)
(10:30 AM) (drama) Madame Curie (1943/124 m/Mervyn Le Roy)
(1:00 PM) (romance) The Valley of Decision (1945/118 m/Tay Garnett)
(3:15 PM) (romance) Pride and Prejudice (1940/118 m/Robert Z. Leonard)
(5:30 PM) (war) Mrs. Miniver (1942/134 m/William Wyler)
(8:00 PM) (premiere) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
(9:15 PM) (drama) Middle of Nowhere (2012/101 m/Ava Duvernay)
(11:15 PM) (documentary) Women Make Film: A New Road Movie Through Cinema (episode 5) (2019/61 m/Mark Cousins)
Wednesday, September 30, 2020
(12:30 AM) (drama) Beau Travail (1999/89 m/Claire Denis)
(6:00 AM) (premiere) Wasp (2003/26 m/Andrea Arnold)
(10:00 AM) (drama) Antonia's Line (1995/103 m/Marleen Gorris)
(12:00 PM) (premiere) The Green-Eyed Blonde (1957/72 m/Bernard Girard)
(1:15 PM) (crime) Ring of Fire (1961/91/Andrew L. Stone)
(2:45 PM) (drama) Untamed Youth (1957/80 m/Howard W. Koch)
(4:15 PM) (musical) Jailhouse Rock (1957/97 m/Richard Thorpe)
(6:00 PM) (drama) Rebel Without A Cause (1955/111 m/Nicholas Ray)
(8:00 PM) (drama) Stand and Deliver (1988/103 m/Ramon Menendez)
(10:00 PM) (drama) The Blackboard Jungle (1955/101 m/Richard Brooks)
submitted by tombstoneshadows28 to movies [link] [comments]

History of Clifton Hill Part 2: Boom Years

Thank you to everyone who read and commented on part 1, your feedback is much appreciated. If you haven't read part 1 or want to see the original poll that brought me here, scroll back in this sub or (if you're reading this in the future and it's long since buried) click on my profile and find them there in my posts.
By the 50s, it had become clear that using Clifton Hill as a series of budget, away from the falls tourist camps wasn't nearly as lucrative as the land could potentially be. Welland Securities opened the Quality Inn Fallsway where Dinosaur Adventure Golf now sits and the Park Motor Inn (later Venture then Comfort Inn) where Niagara Speedway now is. Clifton Touring Camp was torn down to make way for these, save for the snack bar where Wizard's Golf now is that was an original Zimmerman estate gate house. The guest house building and gardens of the estate that remained at this point were torn down, but the stable building was gutted, re-enforced and turned into the Welland Securities offices in the Park Motor Inn. This remained Welland Securities (now HOCO)'s offices until Comfort Inn was torn down in 2015 (and the nearly 150 year old stable building with it). Quality Inn featured a restaurant and nightclub in it's lobby building: the T-bird room. The T-bird hosted a variety of early rock and roll acts over the years until it's eventual transition into a Golden Griddle and Q-Balls Billiards Pub in the 70s. The hotel also featured 4 swimming pools: a large outdoor pool, an outdoor kiddie pool, an indoor pool and an indoor hot tub. The Park Motor Inn only featured a single outdoor pool and hot tub (area became an enclosed atrium in the 70s.) However, it featured a gift shop (where Kelsey's has been since the 80s), the Queen' Door Nightclub (became Rumors Nightclub in the 80s, now divided up into multiple things like the relocated Kelsey's bathrooms and Zombie Attack) and Ripley's Believe it or Not Museum. Ripley's leased the land from Welland Securities. It was the second attraction in the Ripley company's popular chain of "Odditoriums", predated only by the original St. Augustine FL location. The Niagara Falls History Museum had opened a few blocks away in the early 1900s in the building currently occupied by the Bird Kingdom, but it was closer to a museum than a tourist attraction. Ripley's was the first real attraction to open up in Niagara.
Ripley's was a massive success, becoming Niagara's must visit location second only to the falls itself. It (along with Marilyn Monroe's breakthrough film "Niagara" in 1953) opened the floodgates, and by 1960, all the cabin courts had been demolished. In 1955, Charles Burland tore down his Niagara Falls Tourist Camp and bought all the land from the aforementioned field where Captain Jack's now is to Tussaud's. He tore down all the cabin courts on this land, building the Honeymoon City Motel (known as Travelodge since the early 2000s) in the place of Reinhard's Riverhurst Inn and his Niagara Falls Tourist Camp, a parking lot (now Castle Dracula) in the place of the Darling Cabins, and the Clifton Motor Inn (known as Thriftlodge since early 2000s) where Clifton Camp was. The Honeymoon City Motel had a restaurant where the Guinness museum now is, as well as the gift shop that's still there beside Guinness. Clifton Motor Inn had the Clifton Hill Family Restaurant in the old Camp Clifton restaurant building (still there), a "Bonanza" company shooting gallery (now replaced with a newer gallery) and the iconic Dairy Queen, which was then a Frostee Freeze. Burland responded to Ripley's in 1958 by opening the Life Museum in the former restaurant in the Honeymoon City and moving the restaurant a floor up (now Ruby Tuesday's.) The Life Museum was a bizarre attraction celebrating the life cycle from conception to death for both the male and female body, incredibly taboo for the time. Ripley's and the Life Museum would begin Clifton Hill's staple of bizarre attractions themed to the curious and macabre. In 1959 Louis Tussaud's Wax Museum had opened attached to the Foxhead Hotel where the building with the Pink Panther ride/former MGM attraction is now.
In 1960, 2 hotels opened between the Frostee Freeze and the old Victoria Ave. railway station at the top of the hill. These were the Clifton Motor Hotel (renamed the Pilgrim just 3 years later, now the building now occupied by Captian Jacks) and the Hilltop (the land now occupied by the Upside Down House.) With these hotels came Oneida Ln. running off Clifton Hill towards what's now Casino Niagara's Parking lot. Of course, in 1960, this was the parking lot for the Oneida Plate Factory that was the Casino Niagara building's original life. At the front of the factory between the 2 Falls Ave. hotels was the Antique Auto Museum, opened the same year, and a few years later in 1964 they would add a large observation tower sticking out the top as part of the factory tour, now the abandoned steel-plated tower that simply says "Casino". The Clifton Motor Hotel had a restaurant and gift shop on the main floor adjacent to the lobby as well as a pool on the third floor at the back of the building in a room with a glass ceiling. The Hilltop Motel's office was where Beavertails now is, and the motel contained a snack bar (now burger king), and 2 gift shops. One was in the current location of the Crystal Caves attraction. A fun history tidbit: this basement gift shop was leased out, and apparently a brother of the motel owner conspired with the gift shop operator in the mid 60s to run a bookie racket, but a Toronto investigator seemingly found out the jig fairly fast. This brother would mysteriously disappear years down the road in the 80s, which may or not have been related to his criminal activity nearly 20 years before. The other gift shop was what's now the first floolobby of the House of Frankenstein. The building was only one story at this point, seen here. The second story wouldn't be added until 1969, in a business move by local businessman Robert Dunham that would forever change the face of Niagara Falls, the world of animatronics, and the amusement industry as a whole. We'll cover that later in part 3.
Meanwhile, riding high on the success of Ripley's, Welland Securities leased more land to private companies for more attractions to be built starting in 1965. The first was a motel built between Quality Inn and the hill, the Cliffside. The Cliffside resided roughly where the employee parking space is now between Dinosaur Adventure Golf and the large cliff down to Victoria Park. It's driveway in off the hill was where the Great Canadian Midway now resides, as can be seen here. At the end of the motel farthest from the hill, it was adjacent to one of the wings of the Quality Inn. This often created confusion as to things like which lobby was who's, if guests from one were allowed to use the other's pool, etc. This confusion would end much later in 1989 when Welland Securities stopped leasing the land out and amalgamated the Cliffside into being part of the Quality Inn. Just down the hill from the driveway into the Cliffside was a small snack bar on land leased from Welland Securities by the same people as the Cliffside, with a miniature golf course on the roof.
Further up the hill, the last remaining gate house from the Zimmerman estate that was being used as a snack bar was torn down in 1965 to make way for a new attraction. Malcolm Howe leased the land from Welland Securities and would take 2 years to build a pivotal attraction: Movieland Wax Museum. Opened in 1966 in the building now occupied by Wizard's Golf and the Upper Canada Trading Co., the museum was on the main floor with a gift shop called Niagara Marketplace in the basement. All of the figures were sculpted by legendary halloween mask creator, artist Don Post at his Don Post Studios in Florida. Chances are, if you know anything about trick or treating from 1950 to the early 90s, you're familiar with a celluloid plastic mask created by Don Post. However, Post's artistic abilities went far beyond disposable plastic monsters. His team at the Florida factory, headed by sculptor Pat Newman, created 60 wax figures for the museum. The lobby was Egyptian themed, with two torches on either side of the door in to the white building and simulated Egyptian sandstone walls in the lobby. Beside the ticket booth in the lobby, just beside the entrance was Elizabeth Taylor dressed as Cleopatra from the 1963 film of the same name, with a cameraman and director filming her. The museum itself contained many stars such as Marilyn Monroe, Bing Crosby, Lucille Ball and Laurel and Hardy. The most impressive figure however was a 12 and half foot tall King Kong figure, the largest wax figure ever made at the time. The news article about his creation can be read here, however it incorrectly calls Movieland the "Hollywood Wax Museum". Noticeably absent from Movieland on opening day was a horror section. The notion of putting horror movie sections in wax museum hadn't caught on yet, with Tussaud's "Chamber of Horrors" being dedicated to torture methods and historical tyrants rather than film. This would later change and Movieland would receive a horror movie section as we'll cover in part 3.
To coincide with Movieland's opening, Howe also leased the land from Welland Securities just up the hill from the driveway into the Cliffside. On this land he constructed the 184 ft. tall Space Spiral Tower, built by Universal Design of Wildwood, New Jersey. The tower was half ride-half observation deck, with a large, circular, slowly spinning observation deck that rose up the tower that held 30 riders. This is exactly where the Fudge Factory now sits, as the store is circular because that was originally the loading area for the tower before it was demolished in 2006.
So by this point, the hill had gone from a budget, off the main strip camping and cabin area to a strip of motels and small attractions, with a large observation tower ride it's focal point. Motel strips like this could be found all throughout North America in the 60s, in tourist hot spots like Lake George, Gatlinburg and Myrtle Beach. But a single attraction was about to usher in a wave of arcades, haunted houses and testaments to the weird that would make Clifton Hill unlike anything else on earth... And it would all be thanks to a young artist, beloved city engineer, avid horror fan and technology wizard who was about to change everything. Stay tuned for part 3!
submitted by G-N-R to niagara [link] [comments]

Percy Jackson and the Olympians Season 1 Episode 5 (pt 1)

I know this took a really long time, hope you guys like it.
If you work for Disney, this is a pitch.

Cast
Jack Dylan Grazer as Percy Jackson
Cassidy Nugent as Annabeth Chase
Nick Palatas as Grover Underwood
Liv Tyler as the Nereid
Sylvester Stallone as Gabe Ugliano
Barbra Walters as herself
Vin Diesel as Crusty
Idris Elba as Charon
Andy Serkis as Evil Voice
Hugo Weaving as Hades
Dwayne Johnson as Ares

Percy Jackson and the Olympians:
Season one episode five: “And I Thought Airport Security Was Ridiculous” or “Will the Real Lightning Thief Please Stand Up?” screenplay
INT – LAS VEGAS TAXI CAB – EARLY NOON
PERCY, ANNABETH and GROVER get into the back of a taxi cab.
CABBY:
(Bored, uninterested, cigar in mouth)
Where to, kids?
ANNABETH:
(Calm, confident)
Los Angeles, please.
CABBY:
(Raises eyebrow, puffs on cigar)
Dat’s three hundred miles from here, miss. You’ll have to pay upfront.
ANNABETH:
Do you take casino debit cards?
CABBY:
Depends. I’ll have to give it a swipe.
ANNABETH hands the cab driver her LotusCash card, and he looks at it skeptically. He rolls his eyes and swipes it, and the meter begins rattling and the lights on it flash. When an infinity symbol appears on the meter, the cabby’s cigar drops out of his mouth in shock.
CABBY:
(Shocked, excited)
W-where in Los Angeles, your highness?
ANNABETH:
(Sits up a little, smiles)
Santa Monica pier, please. Get us there by evening, and you can keep the change.
The cabby slams down the gas pedal, and several cars honk at him as he flies down the street. As they head through the Mojave desert, PERCY tells ANNABETH and GROVER about the dream he had before they went to the Lotus Hotel and Casino.
PERCY:
… And then the voice in the pit saw me. He showed me my mother… and a black throne carved with faces screaming in agony. And then…
(Gulps)
… The undead soldiers put a red robe and a laurel of thorns on me… and then I became one of them.
GROVER:
Well that got dark fast.
PERCY:
There’s something else. The guy in the cloak, the Lightning Thief, called the voice something… The… “Something” One…
ANNABETH:
(Disappointed, blunt)
Well that’s incredibly unspecific. Was it the Rich One? The Silent One? Those are both nicknames for HADES.
PERCY:
(Unsure)
Maybe…
GROVER:
Well, the throne sounds like the way HADES’S throne is described. Black obsidian carved with faces of damnation.
PERCY:
Yeah but… the throne wasn’t the main part of the dream. And the voice in the pit… I dunno, it just doesn’t feel like the voice of a god. It seemed… older.
ANNABETH’S eye get wide with dread.
PERCY:
(Concerned)
What? What’s wrong?
ANNABETH:
(A bit uneasy)
N-nothing. I was just thinking… no. It has to be HADES. He probably sent the Lightning Thief to steal the MASTER BOLT, and something must’ve went wrong-
PERCY:
Like what?
ANNABETH:
I-
(Reluctant)
-I don’t know. But to steal something as important as the MASTER BOLT, and the fact that ZEUS has his best trackers on the job, a lot of stuff could go wrong. So, the thief could’ve hidden the bolt, or maybe even lost it. Anyway, the thief failed to deliver the BOLT to HADES, that’s what the voice in your dream said, right? The Lightning Thief failed. That explains what the Furies were looking for when they attacked us on the bus. They probably thought we had the BOLT.
PERCY notices a hint of anxiety in ANNABETH’S eyes, and sees that she seems to be shaking a bit.
PERCY:
(Suspicious, confused)
But… if HADES thinks I already have the BOLT, why would I be coming to the UNDERWORLD?
GROVER:
To blackmail him into giving your mom back.
PERCY:
(Surprised)
You know, you have pretty dark thoughts for a goat.
GROVER:
(Blunt)
Thanks.
PERCY:
But… the voice said he was waiting for two items. If the MASTER BOLT’S one, what’s the other?
GROVER shrugs.
PERCY:
(Turns to ANNABETH, knowing look in his eyes)
You know what it is, don’t you? The voice in the pit?
ANNABETH:
(Hesitant, worried)
PERCY, I… let’s not talk about it. It’s probably HADES.
PERCY:
(Thinking)
I just… I just feel like there’s something we’re still missing.
ANNABETH:
(Uneasy)
Well, I guess we’ll find the answer in the UNDERWORLD.
PERCY forlornly looks out the window at the desert scenery whizzing past.
EXT – SANTA MONICA BEACH - SUNSET
The kids head to the edge of the surf.
ANNABETH:
Well? What now?
PERCY stares out over the ocean, and gets a longing look in his eyes. He takes a deep breath, taking in the ocean air, and slowly steps into the water.
ANNABETH:
(Surprised, worried)
PERCY? What are you-
PERCY ignores her, and continues walking into the water.
GROVER:
Dude, do you have any idea how polluted that water is?
ANNABETH:
(Concerned)
PERCY, get out of there. You’ll grow a third-
Once PERCY gets chest deep into the water, he dives under, disappearing from ANNABETH and GROVER’S view.
EXT – UNDER THE PACIFIC OCEAN – SAME TIME
PERCY holds his breath at first, then remembers he can breathe underwater, and lets himself breathe normally.
PERCY:
That’s gonna take some getting used to.
He looks around the water, curious, then notices a mako shark right beside him.
PERCY
(Startled, jumps)
Ah!
PERCY calms down when he realizes the shark is not trying to harm him, and it nuzzles up against him like a dog. PERCY hesitantly touches the shark’s dorsal fin, and it bucks gently, inviting PERCY to hold on tighter. PERCY grabs onto the shark’s fin, and it takes off, blasting through the water like a rocket, pulling PERCY along.
PERCY:
(Surprised)
Whoa, boy!
The shark pulls PERCY deeper and deeper into the ocean.
PERCY:
(Slightly worried)
Where are you taking me?
The shark begins to slow down, and PERCY catches his breath when they come to a huge, gaping, pitch black canyon.
WOMAN’S VOICE: (O.S.)
(Quiet, gentle, far away)
PERSEUS…
PERCY is surprised to hear the voice of the river spirit he spoke to in St. Louis.
WOMAN’S VOICE: (O.S.)
(Gentle)
PERCY JACKSON…
PERCY makes out a light in the darkness of the canyon, and it slowly gets bigger until he sees beautiful woman with black hair, her body glowing gently with white light, wearing a flowing, greenish-white silk dress. She dismounts, smiles, and gives PERCY a small bow. Her giant seahorse and the mako shark begin playfully chasing each other.
WATER SPIRIT:
(Smiling, kind)
You have come far, my hero. Well done.
PERCY awkwardly bows, as she did.
WATER SPIRIT:
(Small laugh)
You are prince, PERCY JACKSON, you need not bow to me.
PERCY:
You’re the spirit I talked to in the Mississippi River, aren’t you?
WATER SPIRIT:
Yes, child. I am a Nereid, a spirit of the sea. It was not easy for me to travel so far up river, but my freshwater cousins, the naiads, were able to help me sustain myself. The naiads honor your father, though they do not serve in his court.
PERCY:
And… you do? Serve in his court, I mean?
NEREID:
Indeed. I must say, it has been many long years since a son of the sea god has been born. My sisters and I have watched over you with great interest.
PERCY:
(Confused, a bit resentful)
If my dad’s so interested in me, why doesn’t he come talk to me in person?
A cold current rises out of the canyon, and almost knocks PERCY off his feet.
NEREID:
(Sad, gentle)
Do not judge the Lord of the Sea too harshly. Your father is incredibly busy; he now stands on the brink of an unwanted war. And apart from that, your father is forbidden from helping you directly. Gods mustn’t show favoritism, you know.
PERCY:
(Surprised, a bit sad)
Even to their own children?
NEREID:
Especially to their own children. However, the gods can work through indirect influences, which is why your father has sent me to give you a warning; and a gift.
The Nereid holds out her hand, and shows PERCY three gleaming white pearls.
NEREID:
You journey to the realm of HADES. Few have returned from that place; Orpheus, who possessed great musical skill, Hercules, who possessed great strength, Houdini, who could escape even the depths of TARTARUS. Have you any of these talents?
PERCY:
(Awkward)
Um… well… no.
NEREID:
(Kind smile)
But you possess something else, PERCY JACKSON. Gifts you have yet to know. The oracles have foretold great and terrible future for you, should you survive to manhood. Your father would not have you die before your time comes. Therefore, he wishes to give you these pearls. When you are in need, smash them at your feet.
PERCY:
(Tentatively takes the pearls)
… What do they do?
NEREID:
That depends on the manner of your need. But remember this; what belongs to the sea will always return to the sea.
PERCY:
(Stares at the pearls with wonder)
You said you also came to give me a warning. What is it?
NEREID:
(Leans forward)
Listen to your heart, or you shall fail. HADES feeds upon doubt and hopelessness. He will try to trick you into mistrusting yourself. Once you enter the Realm of the Dead, he will never willingly let you leave. You must keep strong, and have faith.
The Nereid mounts her giant seahorse, and slowly descends back into the dark canyon.
NEREID:
Good luck, PERCY JACKSON.
PERCY:
(Urgent)
Wait! Back in St. Louis, you told me not to trust “the gifts”. What gifts?
NEREID:
(Voice becoming distant)
Farewell, my young hero. Listen to your heart…
The Nereid disappears into the darkness, leaving PERCY alone with the mako shark. PERCY gives the pearls an empty look, then begins swimming back to the surface.
EXT – SANTA MONICA BEACH – A FEW MINUTES LATER
PERCY shows the pearls to his friends.
ANNABETH:
(Skeptical)
This can’t be good. No gift ever comes for free.
PERCY:
But… she just gave them to me. No strings attached.
ANNABETH:
You ever heard the saying, “No such thing as a free lunch”? It’s an Ancient Greek saying that works pretty well in English, especially in America. There will be a price, just wait and see.
PERCY puts the pearls in his pocket, a slightly worried/disappointed look on his face. Later, as night falls, the kids cautiously wander around L.A., police sirens blaring in the back ground. ANNABETH notices a cop car coming, and pulls the boys into an alley. Once the cop car passes, they cautiously leave the alley.
PERCY:
(Relieved)
Phew… that was a close-
PERCY stops mid-sentence when he sees a his stepdad GABE, who is sitting with a pretty blonde woman, being interviewed by Barbra Walters on a TV in an appliance store.
GABE: (ON TV SCREEN)
(Feigning grief)
Honest, Ms. Walters, if it weren’t for Sugar here, my grief counselor, I… I don’t know what I’d do. My stepson took everything I care about… my wife… my car… I just…
GROVER:
For some reason I don’t think she’s a grief counselor.
GABE:
(Wipes away fake tear)
I’m sorry, I have a hard time talkin’ bout it.
BARBRA WALTERS:
(Overly dramatic, turns to camera)
There you have it, America. A man torn apart. An adolescent boy with serious issues. Here’s the last known photo of the troubled young fugitive, taken in Denver, Colorado, about a week ago.
A grainy image of PERCY, ANNABETH and GROVER talking to ARES outside the diner in Denver comes up on the screen next to Barbra Walters.
BARBRA WALTERS:
(Over dramatic)
Who are the other children in this photo? Who is the man with them? Is PERCY JACKSON simply a delinquent, a terrorist, or perhaps the brainwashed victim of a frightening new cult? When we come back, we’ll chat with leading child psychologist. Stay tuned, America.
PERCY’S face becomes twisted with fury, and GROVER gently grabs him by the shoulder.
GROVER:
Come on, dude. Let’s get going.
The kids begin wandering around L.A., and become nervous when they notice some shady people hanging around. They past by some people who look like gangbangers, bums, and various other suspicious looking people.
GRUFF MALE VOICE: (O.S.)
Hey, kid!
PERCY, startled, stops, and a homeless looking man comes out of an alley.
HOMELESS MAN:
(Fidgeting)
Spare some change?
PERCY:
(Awkward, nervous)
Um… sorry, no.
Several other bums come out of the dark alley, and when the kids try to run, several bums come up from behind them, staring the kids down threateningly. The first bum pulls out a switch blade, and PERCY uncaps Riptide, shocking the bums. PERCY swings his blade at the bum leader, but it passes through him as if he were a hologram.
HOMELESS MAN:
(Shocked)
What the-!?
PERCY:
(Surprised, disappointed)
Oh right, I, uh… I forgot about that.
ANNABETH kicks one of the bums in the crotch, causing him to crumple to the ground in pain.
ANNABETH:
(Urgent)
Run!
The kids start running down the sidewalk, the bums chasing after them, shouting at them to come back. The kids rush around a corner, and ANNABETH sees an open shop called “CRUSTY’S WATER BED PALACE”.
ANNABETH:
There!
The kids run into the shop, hide behind a display bed in the window, and the bums run past.
GROVER:
(Relieved)
Phew… I think we lost them.
MALE VOICE: (O.S.)
Lost who?
PERCY, ANNABETH AND GROVER, IN UNISON:
(Startled, jump)
Ah!
The kids turn around to see a tall, pale, bald man in a tacky leisure suit and silver chains around his neck, standing right behind them.
TALL BALD MAN:
(Grinning creepily, showing off yellow teeth)
How ya’ll doin? I’m Crusty.
PERCY:
(Holding back a laugh, quiet)
Yes, you are.
CRUSTY:
(Raises eyebrow)
Hm?
PERCY:
(Slightly embarrassed, awkward)
I said, uh… sorry to barge… in.
CRUSTY:
Hidin’ from them lowlifes, huh? Yeah, they hang around here every night. I get a lotta people comin’ in here cuz of them. So…
(Gestures around shop)
… Can I interest you kids in a water bed?
PERCY:
(Uncomfortable)
Um… I mean, uh… I don’t really think I need-
CRUSTY gracefully sweeps up behind PERCY, grabs him by the shoulders, and pushes him deeper into the shop.
PERCY:
Uh, okay, this is weird…
CRUSTY proudly gestures to a vibrating bed with lava lamps and black satin sheets.
CRUSTY:
Million hand massage. Why don’t you lie down? Hell, take a nap, I don’t care.
PERCY:
(Anxious)
Um, no, I think we’ll be leave-
GROVER:
(Excited)
Dude, million hand massage?! No way!
GROVER jumps into the massage bed.
GROVER:
(Voice vibrating)
O-oh d-dude, th-this is s-so s-sweet!
CRUSTY:
(Disappointed, stroking chin)
Hmm, not quite…
PERCY:
(Uneasy)
Huh? Not quite what?
CRUSTY:
(Takes ANNABETH by the shoulder)
Do me a favor, honey, and try this one over here.
ANNABETH:
(Uncomfortable)
I… but…
CRUSTY ushers ANNABETH over to a bed, and tries pushing her into it.
ANNABETH:
(Angry)
Hey! Get your hands off-
CRUSTY:
(Snaps fingers)
Ergo!
Ropes grow out from under the bed, and strap ANNABETH down to the mattress.
ANNABETH:
(Panicking, screaming)
Hey! LET ME GO!
GROVER tries to get out of his bed, but ropes tie him down as well.
GROVER:
(Alarmed)
I-it’s n-not s-sweet a-anymore, d-dudes!
PERCY:
(Steps back, shocked)
What the hell are you-
CRUSTY:
(Quickly places hand behind PERCY’S neck)
Whoa, take it easy, kid. I’ll get you your own bed in a sec.
PERCY:
(Assertive, serious)
Let my friends go.
CRUSTY:
(Calm, friendly)
Oh don’t worry, I will. Soon as I make ‘em fit.
PERCY:
(Confused, angry)
Fit? What do you-
CRUSTY:
Lemme explain. All the beds are exactly six feet. Your friends are too short, see, so I gotta stretch ‘em out a bit. Can’t stand imperfect measurements…
CRUSTY snaps his fingers again, and more ropes wrap around GROVER and ANNABETH’S feet and arms, and begin slowly stretching them. PERCY watches in horror as his friends scream in pain.
PERCY:
(Angry, shouting)
Let them go, now!
CRUSTY:
Don’t worry, they only need a few inches. Hell, they might even survive! Now, why don’t we get you set up with a bed you like, huh?
ANNABETH:
(Screaming in pain)
PERCY!!!
GROVER:
(Screaming in pain)
HELP!!!
PERCY:
(Suspicious)
Your name’s not really CRUSTY, is it?
CRUSTY:
Legally, it’s PROCRUSTES.
PERCY:
The Stretcher. The one who tried to kill Theseus with hospitality.
PROCRUSTES:
(Grinning)
That’s me. But who can pronounce Procrustes? ‘Crusty’ on the other hand, much easier to market.
PERCY:
(Eyes get wide, gets an idea)
Uh… yeah! I totally agree. Has a nice ring to it.
PROCRUSTES:
(Flattered)
You think so?
PERCY:
Oh, absolutely. And the craftsmanship on these beds is simply fabulous.
PROCRUSTES:
(Grinning)
I tell my customers that all the time. I mean, how many beds have you seen with lava lamps built into the headboards?
PERCY:
(Shrugging)
Not too many.
PROCRUSTES:
Exactly!
ANNABETH:
(Angry, confused, screaming in pain)
PERCY!!! WHAT THE HELL ARE YOU DOING?!?
PERCY:
(Dismissive)
Don’t mind her. She couldn’t never understand the art of a well crafted bed.
PROCRUSTES:
(Sighing, disappointed)
None of my customers do. Never exactly six feet, so inconsiderate. And then they have the nerve to complain about the fittings!
PERCY:
So… what do you do if they’re taller than six feet?
PROCRUSTES:
Oh, easy fix. I just center the customer best I can, then grab my trusty friend here-
(Lets go of PERCY’S neck, reaches behind desk, pulls out huge, double sided bronze axe)
- And I lop off whatever hangs off either side!
PERCY:
(Surprised, nervous)
Oh… well, I mean, that’s just perfectly sensible.
PROCRUSTES:
(Excited)
Oh, you have no idea what it feels like to finally have an intelligent customer!
PERCY worriedly look over to his friends, ANNABETH gasping for air, struggling against the ropes, GROVER making strangled gurgling sounds.
PERCY:
So… CRUSTY, my man, this bed…
(Gestures to giant heart shaped bed with red satin sheets)
… Does it really have dynamic stabilizers to stop wave motion?
PROCRUSTES:
Sure does. Why don’t you give it a try?
PERCY:
(Stroking chin, pretending to be interested)
Yeah, maybe I will. But… would it work even for a big guy like you?
PROCRUSTES:
Absolutely.
PERCY:
Really? No waves at all?
PROCRUSTES:
None. Guaranteed.
PERCY:
(Pretending to be skeptical)
No way.
PROCRUSTES:
Way.
PERCY:
Prove it.
PROCRUSTES puts his axe down, lies in the bed, and pats the mattress.
PROCRUSTES:
See? No waves at all-
PERCY:
(Snaps fingers)
Ergo!
Ropes spring out of the sides of the bed, tying PROCRUSTES down to it, his head hanging off the top.
PROCRUSTES:
(Shocked, angry)
What the-?!
PERCY:
(Frowns, feigning disappointment)
Oooh, sorry, man. Looks like you don’t quite fit…
(Uncaps Riptide)
… Let me make a few adjustments.
PROCRUSTES:
(Anxious, gulps)
Whoa, uh, y-you drive a hard bargain, kid. Tell you what; let me go, and I, uh… I’ll give you thirty percent off any of the floor models!
PERCY:
(Sarcastic, pretending to consider offer)
Really? Any of the floor models?
PROCRUSTES:
Y-yep! A-and no money down. And no interest for six months.
PERCY:
Hm. That’s a pretty tempting offer. But I think I have a better one.
PROCRUSTES:
(Curious)
Really? What’s that?
PERCY:
(Raises Riptide, aiming for PROCRUSTES’S neck)
Go to TARTARUS.
PROCRUSTES:
(Frowns)
That’s not a-
PERCY swings Riptide down, and chops off PROCRUSTES’S head, turning the giant salesman to yellow dust and black smoke, then quickly cuts GROVER and ANNABETH’S ropes.
PERCY:
(Concerned)
You alright?
ANNABETH:
(Groaning)
Define “alright”.
PERCY:
(Smirks)
You look taller.
ANNABETH:
(Irritated)
Very funny. Could you maybe be faster saving us next time?
PERCY heads behind CRUSTY’S desk, and begins flipping through papers. He finds a pouch of drachmas, and puts them in his pocket, then finds a map.
PERCY:
So, who’s ready to go to the UNDERWORLD?
GROVER:
(Groaning)
Dude, give me a sec…
(Stretches, back makes sickening ‘pop’ sound)
Oooo, that was good. Okay, I’m ready.
PERCY:
Good.
(Holds up map he found on CRUSTY’S desk)
Because it’s right around the block.
EXT – VALENCIA BOULEVARD – A FEW MINUTES LATER
The kids stand outside of a record store with a sign made of black marble engraved with gold lettering that reads: DOA RECORDING STUDIOS, and stenciled words on the glass door that reads: NO SOLICITING, NO LOITERING, NO LIVING.
ANNABETH:
Well, this was not what I was expecting.
PERCY:
What were you expecting?
ANNABETH:
(Shrugging)
I dunno. Like, a hole by the Hollywood sign that opens when you read some Ancient Greek graffiti?
(Looks directly into the camera)
PERCY:
(Confused)
… Okay, whatever. Anyway, you guys remember the plan?
GROVER:
(Nervous)
Yep. The plan. Love the plan.
ANNABETH:
(Critical, curt)
And what if the plan goes wrong?
PERCY:
(Trying to be reassuring)
Oh come on, don’t be so negative, ANNABETH.
ANNABETH:
(Sarcastic)
Oh yes, PERCY. We’re about to enter the Land of the Dead, but I’m sure if we don’t think negative, we’ll be just fine.
PERCY takes the Nereid’s pearls out of his pocket, and stares at them glumly.
ANNABETH:
(Kind, places hand on PERCY’S shoulder)
I’m sorry, PERCY. You’re right. Well make it.
ANNABETH gives GROVER a nudge.
GROVER:
(Nervous, trying to be reassuring)
Y-yeah! I mean, we’ve made it this far, right? We’ll get the BOLT, save your mom, and save the world.
PERCY:
(Smiles, then gets serious)
Alright. Let’s kick some UNDERWORLD ass.
INT – DOA RECORDING STUDIOS – SAME TIME
The kids enter DOA, Muzak playing softly. The walls are steel gray, the furniture black leather. There are people hanging about the lobby, but at closer glance, they are slightly see through, as if they were made of smoke. The kids head to the main desk, which is raised up on a podium. The security guard behind the desk has a military style haircut, dyed bleach blonde, wearing tortoiseshell shades and a white silk Italian suit, with a black rose pinned to his lapel, and a silver name tag.
PERCY:
(Leans forwards, reads name tag, bewildered)
Your name is CHIRON?
SECURITY GUARD:
(Leans over, smiling, soothing voice)
What a precious lad you are. Tell me, do I look like a centaur?
PERCY:
(Slightly embarrassed)
N-no.
SECURITY GUARD:
Sir.
PERCY:
No, sir.
SECURITY GUARD:
(Gestures to name tag)
Take a closer look, now. It’s C-H-A-R-O-N. Now say it with me, CARE-ON.
PERCY:
(A bit irritated)
CHARON.
CHARON:
Ah-mazing. Now, Mr. CHARON.
PERCY:
(Rolls his eyes)
Mr. CHARON.
CHARON:
Well done. I do hate being confused with that old horse. Now, how may I help you little dead ones?
PERCY looks over at ANNABETH.
ANNABETH:
(A bit uncomfortable)
Well, we uh, wanna go to the UNDERWORLD.
CHARON:
(Blunt, a bit surprised)
Oh. Well, that’s refreshing.
ANNABETH:
(Confused)
I, uh- it is?
CHARON:
Oh, absolutely. Just straightforward and honest, no screaming, no “Oh, please, Mr. CHARON, please give me another chance!”.
(Grins, clasps hands)
So, how did you loves die?
PERCY clears his throat.
GROVER:
(Nervous)
Oh! We uh, we drowned. In a bathtub.
CHARON:
(Raises eyebrow)
All three of you at once?
PERCY:
(Awkward)
I-it was a really big bathtub.
CHARON:
(Blunt)
Naturally. I don’t suppose you have coins for passage, though. If you were adults, I could charge your American Express, or add the ferry fee to your last cable bill. But children…
(Sighs, sad)
… Alas, they never die prepared, it seems. I’m afraid you’ll have to take a seat for a few centuries.
PERCY:
Oh, we have coins.
(Places three drachmas on the desk)
CHARON:
(Licks lips, excited)
My my… real golden drachmas… I haven’t seen those in…
(Hand hovers over drachmas, becomes suspicious)
Here now, just a minute ago, you read my name tag wrong. Are you dyslexic, mate?
PERCY:
(A bit nervous)
No, I’m dead.
CHARON:
(Leans forward, stares the kids down)
You’re not dead.
(Sniffs the air, disdainful)
Two godlings and a satyr. I should have known.
PERCY:
(Awkward)
Okay, first of all, I didn’t want to be a half-blood, and second, we really need to get to the UNDERWORLD.
CHARON makes a strange, growling sound in his throat, and the spirits waiting around the lobby start moving around, restless, lighting cigarettes, fidgeting with their watches, etc.
CHARON:
Why don’t you leave now, and I’ll just forget I saw you.
CHARON starts to reach for the drachmas, but PERCY snatches them away.
PERCY:
(Serious, assertive)
No service, no tip.
CHARON growls again, the spirits start banging on the elevator door.
PERCY:
(Pretending to be disappointed)
It’s really a shame. We had more to offer.
PERCY holds up the pouch of drachmas he took from CRUSTY’S place, pulls out a fistful of the golden coins, and lets them run through his fingers.
CHARON:
(Slightly hungry look on face)
You think I can be bought, godling? Hmmm, just out of curiosity, how much you got there?
PERCY:
(Polite)
A lot. So… what’s your pay like, huh? HADES being good to you, or…?
CHARON:
(Annoyed)
Ugh, you don’t know the half of it. Babysitting these spirits for eternity, always with “Please don’t let me be dead”, “Please let me go in for free”, all day, everyday. I haven’t had a raise in almost three thousand years. I mean, look at me.
(Gestures to his suit)
… You think dressing this good is cheap?
PERCY:
(Nodding, slowly drops a few drachmas on the desk)
Clearly, you deserve better wages as, uh… compensation for the, um… mentally taxing environment you work in.
PERCY glances over at ANNABETH, who quickly nods approvingly.
CHARON:
You know, mate? I think you might be starting to talk some sense.
(Strokes chin, thinking)
Hm… boat’s almost full anyway… tell you what, lad. While you’re talking to the boss man, if you were to mention something about giving me a raise…
PERCY:
I guess I could drop a subtle hint or two.
CHARON:
(Smiles coldly, grabs drachmas)
Come along, then.
CHARON begins pushing through the spirits of the dead, the kids follow him. As CHARON pushes through the spirits, they whisper and wail incomprehensible gibberish.
CHARON:
Freeloaders.
CHARON opens the elevator doors, and they get in with several spirits already in the elevator.
CHARON:
(Turns to face the spirits still in the lobby)
No one get any ideas while I’m gone. And if anyone changes the station from easy-listening again, you’ll all be waiting here for another thousand years.
The elevator doors close, and CHARON slides a key card into the slot on the panel, and the elevator begins to descend.
ANNABETH:
(Uncomfortable)
So… what happens to the spirits in the lobby?
CHARON:
(Blunt)
Nothing.
ANNABETH:
Oh… for how long?
CHARON:
Forever. Or until I’m feeling generous.
ANNABETH:
(Curt, sarcastic)
Well that’s fair.
CHARON:
Nothing about death is fair, love. You’ll find that out for yourself soon enough where you’re heading.
PERCY:
(Confident)
We’ll get out alive.
CHARON:
(Dry)
Ha.
Suddenly, PERCY becomes a bit woozy, blinks a few times, and sees that CHARON’S Italian suit has been replaced by a gray tunic and a black cloak, and his tortoiseshell shades have disappeared, revealing his eyes to be empty black pits. PERCY notices the modern clothes of the spirits become tattered gray cloaks.
CHARON:
Well?
PERCY:
(Realizes he was staring at CHARON’S strange eyes)
N-nothing.
CHARON’S face slowly becomes transparent, showing off his grinning skull. The elevator suddenly starts swaying.
GROVER:
(Holds his hand up to his mouth as if about to vomit)
Oh, dude… I’m gonna be sick…
PERCY becomes a bit woozy again, and suddenly the elevator has become a wooden barge, gently drifting down an oily, black river littered with all sorts of things, from college diplomas, dolls, money, and jewelry.
ANNABETH:
The River Styx… it’s so…
CHARON:
Polluted. For thousands of years, the spirits of the dead have thrown in everything they can’t take with them; hopes, dreams, wishes that never came true. Irresponsible waste management, if you ask me.
Mist begins curling off the river, PERCY glances up to see huge stalactites, and then sees a strange, poison-green light glowing faintly in the distance. PERCY and ANNABETH begin nervously looking around at the spirits around them, and ANNABETH grabs PERCY’S hand. CHARON rows down the river a bit, and soon, they find themselves approaching the shores of the UNDERWORLD, craggy rocks and black volcanic sand, and about a hundred yards up the shore, a huge, stone wall that seems to go on forever in either direction. The kids become more uneasy when they here a deep, powerful howling sound somewhere in the distance.
CHARON:
(His face almost entirely transparent)
Ol’ three face is hungry. Too bad for you, godlings.
The boat slides up onto the black shores, and PERCY sadly watches the spirits shuffle out of the boat. PERCY, ANNABETH and GROVER hesitantly depart the boat.
CHARON:
So long, mates. I’d wish you luck, but there’s none down here.
CHARON begins rowing away.
CHARON:
Oh, and don’t forget to mention my raise.
CHARON eventually disappears from PERCY’S sight, and the kids forlornly trudge up the path with the spirits. As they get closer to the gate, PERCY sees that the gates of the UNDERWORLD seem to be modeled after airport security, with three different entrances with a sign over them that reads: YOU ARE NOW ENTERING EREBUS. Beyond the gates, there are some tollbooth-like structures manned by ghoulish black robed figures like CHARON. PERCY notices lots of spirits moving right along to a gate with a sign over it that reads: EZ DEATH.
PERCY:
(Points to quick moving line)
What do you make of that?
ANNABETH:
Probably goes to the FIELDS OF ASPHODEL. It’s the place where spirits go if they’re too scared to face judgment in court.
PERCY:
(Surprised)
There’s a court for the dead?
ANNABETH:
Yep. There’s three judges, and HADES switches them around once in a while. King Minos, Thomas Jefferson, Shakespeare, people like that. The judges look at a person’s life, and if they were really good, they get to go to ELYSIUM. If they were really bad, the judges decide on a punishment. But for most people… well, most people never do anything really special in their lives, good or evil, so they go to the FIELDS OF ASPHODEL.
PERCY:
Oh… and… what exactly happens in ASPHODEL?
GROVER:
Imagine wandering around in a wheat field.
PERCY:
Well, that doesn't sound so-
GROVER:
Forever.
PERCY:
… Oh. I guess that would kinda suck.
GROVER:
(Eyes wide with fear, points to something)
Not as much as that.
PERCY and ANNABETH look where GROVER is pointing, and see two black robed ghouls grab one of the spirits in line, who begins sniffing him down. They ghouls growl angrily, and begin dragging the shrieking spirit away towards one of the gates.
PERCY:
(Worried, a bit scared)
Where are they taking him?
GROVER:
(Gulps)
FIELDS OF PUNISHMENT, probably. The Furies will set up whatever punishment the judges decide on.
As the kids slowly approach the gates, they hear the howling sound again, but still can’t see where it is coming from. As they get closer to the gates, a huge, a shadowy figure slowly becomes visible, and starts to form the dark, transparent shape of a massive three-headed dog, towering over them, growling.
PERCY:
(Petrified)
H-he’s a rottweiler?
ANNABETH:
(Slowly turns head towards PERCY)
Wow, PERCY. There is, standing in front of us, a three-headed dog twice the size of an elephant, with teeth the size of cinder blocks, and more than likely wants to make us his midnight snack, and the first thing you think to say is, “He’s a rottweiler”?
PERCY:
(Awkward)
I’m just trying to ease the tension.
The kids slowly approach CERBERUS, and notice the giant dog is becoming more visible.
PERCY:
(Curious)
I’m starting to see him better… why?
ANNABETH:
(Gulps, scared)
Well… it’s probably because we’re becoming closer to death.
CERBERUS stoops one of his heads, and begins sniffing.
PERCY:
(Grim)
He can smell the living.
GROVER:
(Trembling with fear)
Yeah. B-b-but it’s okay, cuz we g-g-gotta plan, right?
ANNABETH:
(Small, quiet, terrified)
Yeah. Th-th-the plan.
The kids inch closer the CERBERUS, and the three-headed dog barks so loud, the world seems to shake.
PERCY:
GROVER? Translation?
GROVER:
I, uh, don’t think humans have a four letter word that translates exactly.
PERCY reaches into his backpack, pulling out a broken bedpost.
PERCY:
(Nervous, trying to be calm)
H-hey boy, I bet they don’t play with you much down here, huh?
CERBERUS lets out a thunderous bark.
PERCY:
(Gulps)
G-good boy…
(Waves the stick around)
Y-you see the stick?
CERBERUS’S middle head follows the stick, the other two heads fixed directly on PERCY.
PERCY:
Fetch!
PERCY throws the bedpost, and CERBERUS watches it, unflinching. The stick disappears into the gloom, and splashes into the River Styx. CERBERUS turns his three heads back onto the kids, and growls menacingly.
GROVER:
Um, PERCY?
PERCY:
Yeah?
GROVER:
Just thought you should know, CERBERUS says we have ten seconds to pray to the god of our choice before we become Cerby snacks.
CERBERUS begins snarling, saliva dripping from his three jaws, and ANNABETH’S eyes get wide.
ANNABETH:
Wait! I have an idea.
(Start rifling through backpack)
CERBERUS gets into an attack position.
GROVER:
Um, so I’m thinking maybe we should run now?
ANNABETH:
(Frantically looking through backpack)
Hold on!
CERBERUS roars, and starts to lunge forward when ANNABETH whips a red rubber ball out of her backpack, and the giant dog stops mid lunge, curious.
ANNABETH:
See the ball, boy? You want the ball? Sit!
CERBERUS cocks his heads, confused.
ANNABETH:
(Assertive)
Sit!
To PERCY and GROVER’S surprise, CERBERUS sits, crushing several spirits, who pass through him, shouting angrily in some sort of gibberish.
ANNABETH:
(Pleased)
Good boy!
ANNABETH throws the ball, which CERBERUS catches in his middle mouth. The other two heads start snapping at the ball.
ANNABETH:
Drop it!
CERBERUS whimpers, and gently drops the ball at ANNABETH’S feet, almost bitten in half and covered in slobber.
ANNABETH:
(Picks up ball)
Good boy.
(Glances back at PERCY and GROVER)
Go. EZ DEATH line, it’s faster.
PERCY:
(Worried, hesitant)
But-
ANNABETH:
Go!
PERCY and GROVER reluctantly start inching forward, CERBERUS growls.
ANNABETH:
Stay! You want the ball? Then stay!
PERCY:
(Worried)
What about you?
ANNABETH:
(Slightly nervous)
I know what I’m doing, PERCY. Kinda.
PERCY and GROVER cautiously walk under the giant dog’s legs.
ANNABETH:
Good dog!
ANNABETH throws the ball to CERBERUS, and quickly walks under him while the three heads fight over the ball.
PERCY:
(Impressed)
How’d you do that?
ANNABETH:
(Catching breath)
Obedience school. When I was really little, my dad got a doberman, and-
GROVER:
(Urgent)
Dudes, less talking, more running.
The kids bolt for the EZ DEATH line, and ANNABETH stops when she hears CERBERUS whining behind her. She turns around to face him, and sees the giant dog panting, the ball torn to bits at his feet.
PERCY:
(Worried)
ANNABETH?
ANNABETH:
(Shaky voice, sad smile)
Good boy. I’ll bring you another ball soon. Would you like that?
CERBERUS whines, and lower his three heads.
ANNABETH:
(Petting CERBERUS’S head, holding back tears)
G-good boy. I’ll visit you, okay? I… I promise.
PERCY:
(Sad, hesitant)
ANNABETH… we have to go.
ANNABETH sadly walks away from CERBERUS, and passes through the EZ DEATH line with the boys. As they walk through the metal detector, alarms begin blaring, and CERBERUS starts barking.
AUTOMATED VOICE:
Unauthorized possessions! Magic items detected!
PERCY:
(Urgent)
Run!
The kids run through the gate into the FIELDS OF ASPHODEL, pushing through disgruntled spirits as black robed ghoulish security guards chase after them, shrieking and wailing. The kids scramble down the ridge of a road, and hide in the rotten trunk of a large, black tree. The ghouls run past the tree, still wailing and shrieking. The kids stay in the trunk for a bit to make sure the ghouls are gone.
GROVER:
Your plans suck, dude.
PERCY:
(Irritated)
Yeah, well, you’re a donkey.
(Takes quick look around the corner to make sure it’s safe)
Alright, they’re gone. We should-
PERCY stops mid-sentence when he notices ANNABETH sniffing and wiping tears from her eyes, and hears CERBERUS howling mournfully in the distance.
PERCY:
(Gently places hands on ANNABETH’S shoulders)
Come on. We have to get out of here.
ANNABETH nods, wiping the last of the tears from her eyes, and takes PERCY’S hand.

Part 2 will be out soon.
submitted by TheGhostofHomer to camphalfblood [link] [comments]

Every single movie mentioned on CNN's The Movies

(It's a long list so hold on to your butts)
1903
"The Great Train Robbery"
1916
"Intolerance"
1923
"Safety Last!"
1924
"Sherlock Jr."
1925
"The Gold Rush"
"Body and Soul"
1926
"The Son of the Sheik"
"Sparrows"
1927
"IT"
"The Jazz Singer"
"The Lodger: A Story of the London Fog"
1928
"Lights of New York"
"Steamboat Willie"
"The CameraMan"
1929
"The Kiss"
"The Hollywood Revue of 1929"
1930
"A Lady To Love"
"Anna Christie"
"Animal Crackers"
"The Big House"
"The Blue Angel"
"Morocco"
"Bubbles"
"All Quiet on the Western Frontier"
1931
"West of Broadway"
"Dracula"
"Frankenstein"
"Monkey Business"
"Blonde Crazy"
"Laughing Sinners"
"Little Caeser"
"The Public Enemy"
"The Champ"
"Possessed"
"City Lights"
1932
"Grand Hotel"
"The Mummy"
"Horse Feathers"
"Red-Headed Woman"
"Scarface"
"Blonde Venus"
"Red Dust"
1933
"Queen Christina"
"The Invisble Man"
"King Kong"
"Duck Soup"
"Gold Diggers of 1933"
"Footlight Parade"
"42nd Street"
"Baby Face"
"She Done Him Wrong"
"I'm No Angel"
1934
"It Happened One Night"
"Twentieth Century"
"Kid Millions"
"Of Human Bondage"
"Manhattan Melodrama"
1935
"Mutiny on the Bounty"
"The Bride of Frankenstein"
"A Night at the Opera"
"Gold Diggers of 1935"
"Symphony In Black: A Rhapsody of Negro Life"
"The Little Colonel"
"The Devil is a Woman"
"Dangerous"
"The 39 Steps"
"Triumph of the Will"
1936
"San Francisco"
"Swing Time"
"My Man Godfrey"
"Show Boat"
"The Petrified Forest"
1937
"Snow White and the Seven Dwarfs"
"The Awful Truth"
1938
"Bringing Up Baby"
"Love Finds Andy Hardy"
1939
"The Women"
"The Wizard of Oz"
"Stagecoach"
"Mr. Smith Goes to Washington"
"Love Affair"
"Ninotchka"
"Of Mice and Men"
"Only Angels Have Wings"
"Goodbye, Mr. Chips"
"Gunga Din"
"Wuthering Heights"
"Young Mr. Lincoln"
"Gone With the Wind"
1940
"The Philadelphia Story"
"His Girl Friday"
"Rebecca"
"The Great Dictator"
"The Grapes of Wrath"
1941
"The Wolf Man"
"Sullivan's Travels"
"The Lady Eve"
"Suspicion"
"Citizen Kane"
"The Maltese Falcon"
1942
"Casablanca"
"Wake Island"
"The Battle of Midway"
1943
"The Miracle of Morgan's Creek"
"Bataan"
"Air Force"
1944
"Double Indemnity"
"Laura"
"Meet Me in St. Louis"
1945
"The Battle of San Pietro"
"They Were Expendable"
1946
"Notorious"
"The Best Years of Our Lives"
"It's a Wonderful Life"
"The Killers"
"The Big Sleep"
"My Darling Clementine"
1947
"Out of the Past"
1948
"Rope"
"Fort Apache"
1949
"The Third Man"
"Samson and Delilah"
"Conspirator"
"She Wore a Yellow Ribbon"
1950
"The Asphalt Jungle"
"Gun Crazy"
"Sunset Boulevard"
"All About Eve"
"Born Yesterday"
"Rio Grande"
1951
"Quo Vadis"
"An American in Paris"
"The Thing From Another World"
"The Day the Earth Stood Still"
"A Streetcar Named Desire"
"The African Queen"
1952
"Singin' in the Rain"
"High Noon"
1953
"The Hitch-hiker"
"The Robe"
"The Band Wagon"
"From Here to Eternity"
"Roman Holiday"
"Gentleman Prefer Blondes"
"How to Marry a Millionarie"
1954
"A Star is Born"
"Them!"
"Gojira"
"On the Waterfront"
"Rear Window"
"To Cathch a Thief"
"Creature From The Black Lagoon"
1955
"Tarantula!"
"Blackboard Jungle"
"East of Eden"
"Rebel Without a Cause"
"The Seven Year Itch"
1956
"The Ten Commandments"
"Godzilla, King of the Monsters!"
"Invasion of the Body Snatchers"
"Giant"
"The Searchers"
1957
"The Deadly Mantis"
"A Face in the Crowd"
"Sweet Smell of Success"
"The Bridge on the River Kwai"
1958
"I Married a Monster From Outer Space"
"Vertigo"
"Cat On A Hot Tin Roof"
"The Defiant Ones"
1959
"Ben-Hur"
"Some Like It Hot"
"North By Northwest"
"Rio Bravo"
"Pillow Talk"
1960
"Exodus"
"Spartacus"
"The Apartment"
"Psycho"
"The Bellboy"
"The Magnificent Seven"
"One-Eyed Jacks"
"Sergeant Rutledge"
"Breathless"
1961
"West Side Story"
"Breakfast at Tiffany's"
"Splendor in the Grass"
"Lover Come Back"
"The Ladies Man"
"The Errand Boy"
"El Cid"
"The Hustler"
"The Misfits"
"A Raisin In The Sun"
1962
"The Longest Day"
"How The West Was Won"
"Lawrence Of Arabia"
"Lolita"
"Cape Fear"
"The Manchurian Candidate"
"That Touch of Mink"
"Mutiny On The Bounty"
"Dr. No"
"Ride The High Country"
"The Man Who Shot Liberty Valance"
"To Kill A Mockingbird"
1963
"The Thrill Of It All"
"The Pink Panther"
"The Nutty Professor"
"Tom Jones"
"Jason and the Argonauts"
"Cleopatra"
"Hud"
"Charade"
"The Ugly American"
"The Great Escape"
"From Russia With Love"
"Lilies Of The Field"
1964
"Send Me No Flowers"
"The Patsy"
"Dr. StrangeLove Or: How I Learned to Stop Worrying About the Bomb"
"The Fall Of The Roman Empire"
"Becket"
"My Fair Lady"
"Mary Poppins"
"Goldfinger"
"A Fistful Of Dollars"
"Cheynne Autumn"
1965
"The Great Race"
"The Agony and The Ecstasy"
"The Greatest Story Ever Told"
"Doctor Zhivago"
"The Sound Of Music"
"The Cincinnati Kid"
"Thunderball"
"A Patch Of Blue"
1966
"The Shooting"
"What's Up, Tiger Lily?"
"The Russians are Coming, The Russians are Coming"
"The Sand Pebbles"
"A Man For All Seasons"
"Harper"
"The Good, The Bad, and The Ugly"
"Thr Professionals"
"Who's Afraid of Virgina Woolf?"
"The Wild Angels"
1967
"Doctor Dolittle"
"Barefoot In The Park"
"The Producers"
"Cool Hand Luke"
"Hombre"
"You Only Live Twice"
"Guess Who's Coming To Dinner"
"To Sir, With Love"
"In The Heat Of The Night"
"Bonnie and Clyde"
"The Graduate"
1968
"Finian's Rainbow"
"The Odd Couple"
"The Lion In Winter"
"Funny Girl"
"The Thomas Crown Affair"
"Bullitt"
"Once Upon A Time In The West"
"Night Of The Living Dead"
"Rosemary's Baby"
"Planet Of The Apes"
"2001: A Space Odyssey"
1969
"Paint Your Wagon"
"Butch Cassidy and the Sundance Kid"
"The Wild Bunch"
"Easy Rider"
"Putney Swope"
"Alice's Restaurant"
"Downhill Racer"
"Medium Cool"
"They Shoot Horses, Don't They?"
"Midnight Cowboy"
"True Grit"
1970
"Patton"
"Little Big Man"
"Five Easy Pieces"
"MAS*H"
"Husbands"
"Love Story"
1971
"The Last Picture Show"
"Play Misty For Me"
"The French Connection"
"Straw Dogs"
"Dirty Harry"
"Klute"
"THX 1138"
"Bananas"
"Sweet Sweetback's Baadasssss Song"
"Shaft"
"Carnal Knowledge"
"McCabe & Mrs. Miller"
"Harold and Maude"
"Minnie and Moskowitz"
"A New Leaf"
"A Clockwork Orange"
"Willy Wonka & The Chocolate Factory"
1972
"The Getaway"
"Deliverance"
"The Godfather"
"Boxcar Bertha"
"Play It Again Sam"
"The Heartbreak Kid"
"Cabaret"
"Jeremiah Johnson"
"The Candidate"
"What's Up, Doc?"
"Sounder"
"Everything You Always Wanted To Know About Sex*"
1973
"Badlands"
"Scarecrow"
"The Long Goodbye"
"The Last Detail"
"Mean Streets"
"Sleeper"
"Serpico"
"Coffy"
"Enter The Dragon"
"American Graffiti"
"The Sting"
"The Way We Were"
"The Exorcist"
"Papillon"
"The Paper Chase"
"Save The Tiger"
"Don't Look Now"
"Paper Moon"
1974
"The Sugarland Express"
"The Godfather Part II"
"Blazing Saddles"
"Young Frankenstein"
"Foxy Brown"
"Lenny"
"Chinatown"
"A Woman Under The Influence"
"Alice Doesn't Live Here Anymore"
"The Great Gatsby"
"The Conversation"
"The Parallax View"
"California Split"
1975
"Love and Death"
"Dog Day Afternoon"
"Sheba, Baby"
"One Flew Over The Cuckoo's Nest"
"Jaws"
"Nashville"
"Shampoo"
"The Rocky Horror Picture Show"
"Three Days Of The Condor"
"Monty Python and The Holy Grail"
1976
"Taxi Driver"
"Marathon Man"
"All The President's Men"
"Network"
"Rocky"
"The Outlaw Josey Wales"
"Carrie"
"Silver Streak"
"The Bad News Bears"
"Bound For Glory"
1977
"Annie Hall"
"Close Encounters Of The Third Kind"
"Opening Night"
"Saturday Night Fever"
"Star Wars: A New Hope"
"The Turning Point"
"The Goodbye Girl"
"Slap Shot"
"New York, New York"
"Julia"
"Smokey and The Bandit"
1978
"National Lampoon's Animal House"
"An Unmarried Woman"
"Grease"
"The Deer Hunter"
"Coming Home"
"Superman The Movie"
"Heaven Can Wait"
"Days Of Heaven"
"Midnight Express"
"Halloween"
1979
"Manhattan"
"Being There"
"All That Jazz"
"Apocalypse Now"
"Alien"
"The China Syndrome"
"Norma Rae"
"Breaking Away"
"Kramer Vs. Kramer"
1980
"Raging Bull"
"The Elephant Man"
"Coal Miner's Daughter"
"Cruising"
"Ordinary People"
"The Shining"
"Heaven's Gate"
"Star Wars: The Empire Strikes Back"
"Airplane!"
"The Blues Brothers"
"9 to 5"
"Caddyshack"
1981
"Raiders of the Lost Ark"
"Escape from New York"
"Mad Max 2: The Road Warrior"
"Reds"
"Ragtime"
"The French Lieutenant's Woman"
"Chariots of Fire"
"On Golden Pond"
1982
"E.T. the Extra-Terrestrial"
"The Verdict"
"Gandhi"
"Blade Runner"
"Poltergeist"
"Sophie's Choice"
"Diner"
"Tootsie"
"The King of Comedy"
"Fast Times at Ridgemont High"
"Rocky III"
"48 Hrs."
"First Blood"
"Conan the Barbarian"
1983
"The Big Chill"
"Terms of Endearment"
"Zelig"
"The Right Stuff"
"Scarface"
"Flashdance"
"Trading Places"
"Risky Business"
"Star Wars: Return of the Jedi"
"Silkwood"
1984
"This is Spinal Tap"
"Ghostbusters"
"Beverly Hills Cop"
"The Natural"
"Purple Rain"
"Gremlins"
"Sixteen Candles"
"Splash"
"Police Academy"
"Footloose"
"A Nightmare on Elm Street"
"Amadeus"
"The Terminator"
"Broadway Danny Rose"
"Once Upon a Time in America"
"Blood Simple"
"Missing in Action"
"Stranger Than Paradise"
"The Killing Fields"
1985
"Back to the Future"
"Brazil"
"The Purple Rose of Cairo"
"The Goonies"
"Witness"
"Pee-Wee's Big Adventure"
"The Breakfast Club"
"Desperately Seeking Susan"
"Spies Like Us"
"Rambo: First Blood Part II"
"Rocky IV"
"Commando"
"Out of Africa"
1986
"Aliens"
"Platoon"
"Top Gun"
"Down and Out in Beverly Hills"
"Stand By Me"
"Crocodile Dundee"
"Ferris Bueller's Day Off"
"Three Amigos"
"Blue Velvet"
"Hannah and Her Sisters"
"Pretty in Pink"
"Hoosiers"
"The Color of Money"
1987
"The Princess Bride"
"Fatal Attraction"
"RoboCop"
"Empire of the Sun"
"Wall Street"
"Raising Arizona"
"Three Men and a Baby"
"Dirty Dancing"
"Lethal Weapon"
"Broadcast News"
"Ironweed"
"The Untouchables"
"Good Morning, Vietnam"
"Hamburger Hill"
"Full Metal Jacket"
"Predator"
"The Last Emperor"
"Moonstruck"
"Planes, Trains & Automobiles"
1988
"Who Framed Roger Rabbit"
"Coming to America"
"Big"
"Beetlejuice"
"Bull Durham"
"The Naked Gun: From the Files of Police Squad!"
"Working Girl"
"A Cry in the Dark"
"Mississippi Burning"
"Die Hard"
"Rain Man"
"Bloodsport"
1989
"Batman"
"Do the Right Thing"
"Drugstore Cowboy"
"Crimes and Misdemeanors"
"Sex, Lies and Videotape"
"Born on the Fourth of July"
"Dead Poets Society"
"My Left Foot"
"Field of Dreams"
"When Harry Met Sally..."
"Say Anything ..."
"Parenthood"
"The Little Mermaid"
"Glory"
"The Abyss"
1990
"Goodfellas"
"House Party"
"To Sleep with Anger"
"Pretty Woman"
"Edward Scissorhands"
"Dances with Wolves"
"Miller's Crossing"
"Awakenings"
"Ghost"
"Slacker"
"Blue Steel"
"Home Alone"
1991
"The Silence of the Lambs"
"Thelma and Louise"
"L.A. Story"
"JFK"
"Boyz n the Hood"
"Barton Fink"
"New Jack City"
"Daughters of the Dust"
"Point Break"
"The Prince of Tides"
"Hangin' with the Homeboys"
"Trust"
"Poison"
"Beauty and the Beast"
"Little Man Tate"
"Rambling Rose"
"Terminator 2: Judgement Day"
1992
"Basic Instinct"
"Malcolm X"
"Reservoir Dogs"
"Wayne's World"
"Juice"
"Just Another Girl on the I.R.T."
"Gas Food Lodging"
"A Few Good Men"
"Boomerang"
"Aladdin"
"The Last of the Mohicans"
"Unforgiven"
"A League of Their Own"
1993
"Philadelphia"
"Schindler's List"
"Groundhog Day"
"Mrs. Doubtfire"
"Poetic Justice"
"Six Degrees of Separation"
"Sleepless in Seattle"
"Dazed and Confused"
"The Nightmare Before Christmas"
"The Piano"
"Jurassic Park"
1994
"The Shawshank Redemption"
"Forrest Gump"
"Heavenly Creatures"
"Quiz Show"
"The Mask"
"Dumb and Dumber"
"Ace Ventura: Pet Detective"
"Crooklyn"
"Four Weddings and a Funeral"
"Clerks"
"Fresh"
"Pulp Fiction"
"The Lion King"
"Ed Wood"
"The Hudsucker Proxy"
"Little Women"
1995
"The Usual Suspects"
"Casino"
"Apollo 13"
"Higher Learning"
"While You Were Sleeping"
"Friday"
"The Basketball Diaries"
"Braveheart"
"Dead Presidents"
"Waiting to Exhale"
"How to Make an American Quilt"
"Bad Boys"
"Clueless"
"Welcome to the Dollhouse"
"The Brothers McMullen"
"Toy Story"
"Heat"
"Se7en"
1996
"The English Patient"
"Happy Gilmore"
"Waiting for Guffman"
"Set it Off"
"Independence Day"
"Jerry Maguire"
"Swingers"
"Hard Eight"
"Fargo"
"Grace of My Heart"
"Walking and Talking"
"Romeo + Juliet"
"Trainspotting"
1997
"L.A. Confidential"
"Austin Powers: International Man of Mystery"
"Soul Food"
"My Best Friend's Wedding"
"Men in Black"
"As Good As It Gets"
"Boogie Nights"
"Titanic"
"Contact"
"Rosewood"
1998
"Out of Sight"
"The Thin Red Line"
"Saving Private Ryan"
"Rushmore"
"The Wedding Singer"
"There's Something About Mary"
"Dr. Dolittle"
"How Stella Got Her Groove Back"
"The Big Lebowski"
"You've Got Mail"
1999
"The End of the Affair"
"Office Space"
"The Best Man"
"Runaway Bride"
"Notting Hill"
"Toy Story 2"
"Magnolia"
"The Matrix"
"The Sixth Sense"
"The Talented Mr. Ripley"
"The Blair Witch Project"
"Man on the Moon"
"The Cider House Rules"
"The Hurricane"
"American Beauty"
"Girl, Interrupted"
"The Insider"
"Election"
"Boys Don't Cry"
"The Virgin Suicides"
"Three Kings"
"Being John Malkovich"
"Fight Club"
"Star Wars: The Phantom Menace"
2000
"Gladiator"
"Erin Brockovich"
"Memento"
"Miss Congeniality"
"Cast Away"
"Almost Famous"
2001
"A Beautiful Mind"
"Ocean's Eleven"
"Legally Blonde"
"The Lord of the Rings: The Fellowship of the Ring"
"Harry Potter and the Sorcerer's Stone"
"Training Day"
"Moulin Rouge!"
"The Royal Tenenbaums"
"Shrek"
"Monsters, Inc."
2002
"Minority Report"
"Ali"
"Chicago"
"My Big Fat Greek Wedding"
"Gangs of New York"
"Harry Potter and the Chamber of Secrets"
"The Lord of the Rings: The Two Towers"
"Men in Black II"
2003
"Something's Gotta Give"
"Lost in Translation"
"The Lord of the Rings: The Return of the King"
"Pirates of the Caribbean: The Curse of the Black Pearl"
"Old School"
"Elf"
2004
"The Incredibles"
"Eternal Sunshine of the Spotless Mind"
"Harry Potter and the Prisoner of Azkaban"
"The Bourne Supremacy"
"Anchorman: The Legend of Ron Burgundy"
2005
"Brokeback Mountain"
"The-40-Year-Old Virgin"
"Batman Begins"
2006
"The Devil Wears Prada"
"The Departed"
"Dreamgirls"
"The Holiday"
"Casino Royale"
"Little Miss Sunshine"
"Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan"
"Pan's Labyrinth"
"Children of Men"
2007
"There Will Be Blood"
"No Country for Old Men"
"Transformers"
"Knocked Up"
"Superbad"
2008
"Mamma Mia!"
"WALL-E"
"Slumdog Millionaire"
"Twilight"
"Step Brothers"
"The Dark Knight"
"Iron Man"
2009
"Up"
"It's Complicated"
"Inglourious Basterds"
"The Hangover"
"Avatar"
"The Hurt Locker"
"Precious"
2010
"True Grit"
"The Social Network"
"Black Swan"
"Harry Potter and the Deathly Hallows: Part 1"
"Winter's Bone"
"The Kids Are All Right"
2011
"Harry Potter and the Deathly Hallows: Part 2"
"Bridesmaids"
"Thor"
"Captain America: The First Avenger"
2012
"Django Unchained"
"Lincoln"
"The Master"
"Moonrise Kingdom"
"The Hobbit: An Unexpected Journey"
"Zero Dark Thirty"
"Silver Linings Playbook"
"The Avengers"
"The Hunger Games"
"Good Deeds"
2013
"Fast & Furious 6"
"The Heat"
"Gravity"
"American Hustle"
"12 Years a Slave"
"Fruitvale Station"
2014
"Boyhood"
"The Grand Budapest Hotel"
"American Sniper"
"Guardians of the Galaxy"
"Birdman or (The Unexpected Virtue of Ignorance)"
"Selma"
2015
"Mission: Impossible -- Rogue Nation"
"Spy"
"Joy"
"Ant-Man"
"Creed"
"Tangerine"
"The Revenant"
"Straight Outta Compton"
2016
"La La Land"
"Doctor Strange"
"Moonlight"
"Fences"
2017
"Spider-man: Homecoming"
"The Shape of Water"
"Mudbound"
"The Florida Project"
"Lady Bird"
"Get Out"
"Wonder Woman"
2018
"Avengers: Infinity War"
"Black Panther"
"Crazy Rich Asians"
"Roma"
submitted by ROBtimusPrime1995 to movies [link] [comments]

Ranking All UFC Events Via Their Reported Attendance Numbers!

Ranking - Event - Location @ Venue - Attendance

These Events Have No Reported Attendance Record

submitted by GypsyGold to MMA [link] [comments]

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